Slight Male Coyote's Little Red Book

Five Play Rule

2012-01-08T20:17:00.000Z

Whilst going through last years cd purchases last month it became apparent that some albums I hadn't given enough attention. I always used to work on a five play rule, for some reason there were albums last year I barely played more than twice. This is bad
So note to self, revert back to the rule and preferably all within a week of purchase.
I'm currently listening to the 'Trailer Trash Tracys' and an 'Oh Sees' record from 09.

Also still pondering whether to squeeze the Wild Flag Leeds gig in, got my tix for Manchester but would like to see them more than the once. We'll see.

Happy New Year

2012-01-02T21:16:00.000Z

Well here we are 2012. As I said earlier I'll endeavour to do a weekly post this year, subject matter will be be whatever is relevant in my own head.

So I'll start the year with a bit of a rant. As someone who constantly buys and researches new music I'm just getting a little tired of too much being offered as "melodic electronica". All well and fine but this has been the same more or less for 2 years. So what! if it's good then fine, but the fact is it's getting fucking monotonous and boring. Punk only lasted 2 years before it morphed, so "melodic electronica" it's time you morphed.
The world is facing social economic and political war so why is nobody talking about it? are we burying our heads in the sand or is it a case of we need escapism.
Perhaps it's just me not dropping on the write stuff.
Whatever people can we move on from "ME" at least just for now.

Fave Albums of 2011

2011-12-15T21:27:00.039Z

Well it's this time of year again, I know I haven't been here for a while but hey busy life etc.

I do intend to start a new format in the new year though where I intend to do a weekly post. It may be about a gig an album/song I've come across or something culinary or whatever may seem important enough to log. As this was set up to be an online diary that it shall be more geared to.

Enough rambling, so fave records of 2011. A pretty good year me-thinks most of the good stuff this year has been from known artist though. That said the winner is a sublime debut mature beyond belief.

1.Miles Kane - Colour of the trap.

A superb album full of upbeat 60’s pop elegance. Walker-esque balladry and Mersey beat meanderings. All the more astonishing for a debut album. Every song is a belter.I feel I should say more about this but I think I've summed it up quite well. A local lad from the Wirral too!

2 P J Harvey = Let England Shake.

This seems to topping every list this year and so it should another superb release from Polly. Not a concept album as such but the subject matter is all related to England’s relationship with war and conflict. LES won Polly her second Mercury prize and confirms her as the most important British female artist.

3 The Horrors - Skying

The Horrors come of age on this their third album. Far more mature than their Mercury nominated second in my opinion. It's the sound of a band who know what they want and where their going with it. They even go on extended prog meanderings and get away with it.

4 . Wild Flag - Wild Flag

I think this was pencilled in as a top five before I even heard it. With Carrie and Janet working together again and the addition of long time fave Mary Timony it couldn't’t fail, or could it? Thankfully it doesn’t. A full on straight at ya slice of rock n roll. Phew! Shake shimmy shake.

5. Baxter Dury - Happy Soup

Contains probably my fave single of the year ‘Isabel’. The Dury drawl and sideways wit is very evident throughout the record. Littered with wonderful balladry aided by some fine backing vocals. A fine album that just feels so comfortable in the ears.

6 Deerhoof - V's Evil

Probably the hoof's most accessible album but fear not still some barking mad signatures. The thing about DH is that they put a smile on your face, well mine anyway. I think it's because they are true masters of their own trade.

7 Jeffrey Lewis - A Turn in the dream songs.

Must admit I'm fairly new to Mr Lewis material, but I love this record. The deadpan delivery goes super with the witty songs all on a sparse acoustic soundtrack.

8 The Kills - Blood Pressures

Jamie and Alison are back with another spot on album. Full of good heavy beats and edgy guitar riffs. Thing about the Kills is they sound like the Kills and have a sound all of their own.Still one of the best live bands around too.

9 Dengue Fever - Cannibal Courtship

A super hypnotic psych-out from Algerian/ Californian based band. Think these are my new discovery of the year. Think I heard Gid play a song on 6 Music and investigated further. I had to import the album but glad I did.

10 Victorian English Gentlemans Club - Bag of meat

Veg club return as mad as ever. I think it's the reason I love this band as they're not always easy on the ear but after a while you get it. This is a slightly more beefy album for them (get it!!) the drums seem a bit more heavy the the last record a sound which seems to suit the chaos. Carry on Gentlemen.

11. Drive by truckers - Go Go Boots

Really good album this not as rocky as their earlier work but the songs are good helped along

by some great grooves.

12. The Black Keys - El Camino

Garage rock at its best. This album would have probably made the top ten but it only came out a couple of weeks ago.

13. Fleet Foxes - Helplessness Blues.

The much anticipated follow up to their great debut album. Luckily they didn't disappoint.

Even though it's as good as their first somehow it didn't have the same impact, if that

makes sense.

14 Young Knives - Ornaments from the silver arcade.

Always had a sneaky regard for YK. I just like their no nonsense approach. Good driving hooks

and melody's

15. Iness Mezel - Beyond the Trance.

Another new one to me cant remember how it was recommended. An Algerian singer backed

by some great African guitar and rhythms.

16. The Time & Space Machine - Turns you on.

Weirdly I know very little about this record and can't find much either. Can't even remember

where I got it from. It's a compilation of serious psych wig outs, but its great listening.

17 The Lovely Eggs - The Lovely Eggs

Great little quirky album from the Manchester duo. Some singalong pop chants, grungy guitar

and the unforgettable "sausage roll thumb"

18. Jonny - Jonny

A collaboration between Eros Childs (Gorkys) and Norman Blake (Fannies) Sounds exactly as

you would expect, rather good.

19. Beirut - The Riptide

Third Beirut outing (I think) sees Mr Condon make use of trumpet this time and makes it sound

cool. Though only a short album about 33 mins it,s a lovely one.

20. Yuck - Yuck

Debut from London four piece. Full of bright breezy indie pop. I like the light fuzzy sound

they use on the guitar. Full of good driving indie pop goodness.

Wild Flag premier first song

2011-03-05T19:03:00.001Z

Get yr' denim jacket and Lionel Blairs were gonna rock !!

Happy New - Er ! Febuary.

2011-02-15T20:51:00.002Z

I meant to do this post in Jan and welcome in the year and give hopes and fear, state of play etc. Hey 6 weeks late ain't too bad, Ahem!!
Firstly it's been quite a prolific year for new releases, normally Jan/Feb are slow on new stuff but this year loads of known artists have released stuff. Decemberists, Polly Harvey, BSP, Wire, Gang of4, JAPW, Gruff Rhys and Deerhhoof. Some good discoveries along the way too incl Anna Calvi, Jonny and Tu Fawning. Lots to go at for the first weeks of the year really.
On the minus point no gigs !!! there has just been nothing I have been able to get to. There have been some shows I would have liked to have seen but couldn't make them for whatever reason. I'm sure things will pick up in this department as some faves come out of hibernation, are you listening Veg Club!!
As I post I'm only a few weeks away from my 50Th birthday, it doesn't feel an issue in terms of me being depressed or down about it. In fact I'm quite looking forward to it. Karen and I are going to Paris for 5 days so I will spend my birthday in Paris and we've booked an evening dinner cruise on the Seine (of course). We intend to have a bit of a family get together over the weekend before but details yet to be finalised.
So there we go quite a full on start to the year hence the late post (well it's the only excuse I can offer)
All being well I'll get a gig in shortly and post that, until then I'll just update with stuff.

Fave Albums of 2010

2010-12-14T20:20:00.020Z

Here we are again end of another cd buying 'season'. Little down on previous years, not due to finances but I've just found it difficult getting hold of the more obscure stuff for some reason. I've then given up and just added it to 'the list'.
An interesting year really as there have been a high proportion of very good albums mostly from already know artists, and artist I've had my ear on waiting for for a full long player. My main problem was there was no absolute standout so I'm not putting this list not in order of preference just a list of my preferred listens of the year. In honesty they're all as good as each other.

John & Jehn - Time for the Devil.

French duo return with a more poppy sound but still retain that Gallic eccentricity. The songs are really strong and make the album flow very well. Stand outs are the title opener with a wonderful 'countdown' bass line. 'Down our Street' is another excellent pop song , 'Vampire an eerie Gothic chant. Another great record from J&J.

Lonelady - Nerve Up.

Having followed Julie since I saw her supporting Quasi in '06 her debut album finally lands. Well worth the wait too. Sharp guitar sharp vocal at times not coherent but all the same a really good sound The title tells its story it's nervy, up and down but has a real heart and soul. Glad Julie has got this record out finally.

The Jim Jones Revue - Burning your house down.

Rock'n'roll as it should be straight at ya from the hip. Pure energy from the word go. JJ's vocal screams and rips into every song full with honkytonk keys. As with all good records it flows well. If Little Richard and Jerry Lee were making music today this is how it would sound.

Warpaint - The Fool.

The band of the moment, a lot of hype surrounding these ladies. The LA based four piece serve up dreamy shoegaze pop. Its main attribute is that you lose yourself and get sucked into every song. The main thing for me is that they were very good live and nailed it spot on. Debut of the year.

Stornoway - Beachcombers Windowsill.

Sun baked 'nu folk' courtesy of not an Arran jumper glad quintet but an Oxford based sextet. Excellent song content, there ain't a dud on here and they all amble along with great timing. Super sounding record.

Foals - Total life forever.

When I saw these as a support band to the Noisettes (who?) 3-4 years ago I picked up on them straight away and eagerly awaited their debut. When it landed to me it was so disappointing, I thought they're a better band than that. The deserved Mercury nominated second is the band I've seen on three occasions. I'm so pleased they got it together on this supper record.

Spoon Transference

Spoon return with another very accomplished album. Their typical soulful rock style still very evident. Consistent as ever Spoon seem to never make a bad record. Stand out track is 'Mystery Zone' with its wonderful hypnotic rhythm and Brit Daniels distinctive vocal. Another great release from the Texan band.

The Coral - Butterfly House

Never been sure whether I like the Coral or not, but this is a very good collection of songs. It has the trademark sound, 60's psych folk. I think the songs may be stronger this time though and they seem to have a confident swagger that I don't think they have captured before.

Broken Social Scene - Forgiveness Rock Record.

BSS return with a much better collection of songs than their previous effort in my opinion. When they get it right they're a great band using their typical full on sound and sonic assault. Like all good records though it's the songs themselves that make the record stand out. Good to have them back on form.

Field Music - Measure.

Another band returning after solo projects. An ambitious double album of superb pop songs all with the Brewis brothers unique stamp. The only thing is being a double album the odd weaker song creeps in. If this had been condensed into a 12 - 14 song single disc it would have won album of the year hands down. Still a great record though.

Grinderman - Grinderman 2.

Classy mean bluesy rock courtesy of the prolific Nick Cave. I think I prefer this record to their debut just seem a bit more meaner to me. Lyrically it's innuendo is at times hilarious but Cave is probably the only guy in the world who could and does get away with it.

Other noticeables this year :-

Corin Tucker Band - 1000 years

The Soundcarriers - Celeste

Quasi - American Gong

Effi Briest - Rhizomes

Call The Doctor - CTD

I Will Be - Dum Dum Girls

In all a good year I could have listed another 10 - 15 albums here but I won't so roll on 2011.

You Say Party

2010-12-10T20:18:00.006Z

You Say Party - Manchester, Sound Controll - 3-12-10.

"It's been an emotional journy for us - Thank you all for coming" - Becky Ninkovic

Lovely to see YSP again still remain one of my fave live bands. I may be and hope I am way off mark here but I got the feeling this may well be the last we see of them. There was an underlying struggle here. Yes vibrant as ever but the cloud of Deven's passing was hanging very large over them and they hsven't recovered and who can blame them. Becky's quote said it all for me.

John & Jehn

2010-11-20T19:55:00.007Z

Deaf Institute, Manchester, 18/11/10.

Having caught up with J&J at Liverpool sound city earlier in the year I now found them playing as a four piece. Their album was still recorded as a two piece I believe but they needed the extra personnel to expand their sound live.

Got up to Manchester late pm to spend a small fortune in Picadilly records, nipped into the Night & Day for a coffee. I then remembered I needed to book the Crown & Anchor for two weeks Fri as I have the You Say Party gig then fly off to the island for a long weekend. Job done, so off for sustenance.

Deaf Institute is now becoming my main venue in Manchester. Seems to have become the venue of choice for many bands. I've seen the likes of Malkmus, Quasi also now Warpaint.
J&J were on fairly sharpish and opened with the wonderful title track to the new album. It's countdown bass line is I think my fave piece of music of the year. Other stand outs were Vampire with Jehn doing a great shriek vocal.

Down our street was also superb, they have developed into a really good live band. Not that they were not before but when I first saw them they were much more primitive if that makes sense.

After the show Jehn showed up behind the small merch desk so I went up to have a chat. During the show she announced this was only their second visit to Manchester. I spoke to her and told her I was at the N&D show and that John had asked if anyone in the audience had sunglasses for the version of 20L07. Yep I was that guy. Jehn said thanks for coming back to see them and signed a poster for me.

I think this is my fave band of the year.

Review of first Wild Flag gig

2010-11-12T20:39:00.002Z

Click on title.

warpaint

2010-11-05T21:15:00.004Z

Deaf Institute - Manchester 24/10/10.

Forget how I came across this bunch of girls but I got their debut EP earlier in the year and really liked it. When they announced a short tour and the release of an album I penciled in the dates immediately.

An LA four piece who play a form of rhythmic psych jams have caused a bit a stir purely by their live work. The fact that this and the other UK dates were sold out prior to the full album release was testament to the "buzz" that seemed to be following them.

Got to the DI in good time to check with a guy stood at the foot of the stairs what time doors were. Turns out he was a punter not a doorman, oops! Anyhow got chatting to the guy and it seems he has done many of the Manchester gigs I have been to over the years. We found it strange our paths hadn't crossed before.

The two support bands who played were a band I think called 254, (can't seem to find them anywhere tho) and Fiction. Both were pretty decent and made it a good bill of bands.

Whilst talking to new found friend between bands some of his mates turned up, who I knew, from loads of other gigs happy family's.

My position (Corin) just left of Emily is always ideal at the DI. The girls came on to a full enthusiastic crowd and opened with "warpaint". They played a 9 song set including the much played single "Undertow", which they took of into a great jam. almost prog at times.

They encored with a couple of songs to a very rapturous reception.

Warpaint I have to say are one of the best new bands I have seen in many a while. Their musicianship was very good and just came across as a band well together and in tune with each other. They also can hold an audience just with their charisma.

Now I like the sound of this

2010-09-24T20:34:00.002Z

Corins new song & Band

2010-08-04T19:25:00.006Z

A link to Cornis first release as a solo artist, rather fine it is too.

http://pitchfork.com/news/39605-new-corin-tucker-riley/

.

Half Term Report

2010-07-05T19:38:00.004Z

Well it's that time of year again, so how we doin' ? In general not too bad though my fear that the "Government" are fucking up the the country with remarkable speed. They're turning a recession into a depression very fast. Those people who voted for them serves you fuckin right. That apart due to financial restrictions gigs have been at a minimum but some good stuff has been attended Liverpool Sound City was good also Quasi in Manchester (both of which I still have to post). I go to see Kristin next week too.
In terms of record buying, held up quite well a little down on the last few years but not bad. Major discoveries of the year being a couple of American bands 'Uuvvwwz' (yes really) and 'Warpaint' and a London folk band called 'Stornoway' lots other good stuff too.

In conclusion I still have gig posts to get up on here, must do better. A decent music year up to now I think though it's difficult to pin a fave list. Great news that 6 Music is being saved due to it's "cultural importance".

I thank you.

6 Music SAVED

2010-07-05T14:39:00.000Z

You Say Party drummer dies

2010-04-23T20:01:00.002Z

Very sad news. met him on several occasions my thoughts go to family and friends.

Ah well at least she didn't come last!!

2010-04-09T20:53:00.002Z

And if she haddn't beaten those five well....

Corin anounces album

2010-04-08T16:34:00.001Z

Click title for article.

Carrie's new band (incl Janet)

2010-03-21T21:04:00.010Z

Sounds interesting, an S-K reunion within five years too !
Will have to have a word with Janet when I see Quasi next month.
click on title for article.

Now the Guardian has picked up on Carrie's words
http://www.guardian.co.uk/music/2010/mar/22/sleater-kinney-form-new-band

Cate Le Bon

2010-03-15T21:44:00.006Z

Central Station, Wrexham, 2/3/10.

A late decision to go to this though I don't know why as I loved Cate's album from last year. So I got the train to Wrexham as it's much quicker than the bus at that time of the day.Wasn't sure whether there were going to be many attending this with it being a Wed night and loads of footie going on. When I got into the venue there were a few people hangin' round but they were probably the support acts and Cate's band. Most of them were as it turned out.

First up was a young girl backed by a guy with a laptop, yeah well felt sorry for her really.

Next up were a Welsh band called Y Niwl, who played a sort of surf rock set totally instrumental. They were quite good too.

Cate started to set up on the tiny stage which in truth was to small for her and the band, but she just got on with it. Her band included a couple of members of the support band on guitar and bass. Her set comprised of most of the album and a couple of songs I didn't recognise. She was fairly laid back in her delivery but I think that's just the way she sings. That saying her voice was as haunting as it is on the album and the dramatic soundscapes were well performed. Because of the tight space onstage at times one of the guys had to kneel down to play keys as Cate played guitar. In all very enjoyable gig, on my way out I bought a 7" single with a hand painted sleeve by Cate.

2010-03-09T22:20:00.001Z

http://

BBC 6 Music to be axed

2010-03-04T11:33:00.008Z

Announced this week was the awful decision to axe 6 Music. In the present economic climate and the 'cut back' society now ingrained in all walks of life, I'm not that surprised. However I am devastated by the decision.

As someone who does not have a television I do listen to a lot of radio. This is coupled with the fact that I refuse to listen to commercial radio, so I'm gonna be fuct!

I will argue here that 6 Music is more culturally important than Radio 3. "Here's Beethoven's 5th in C minor". That's fuckin' new we haven't heard that before. In fact more important than 1, 2 and 3 put together. Its strength comes from not just the music but the quality of its presenters. The people here know what they're talking about when it comes to good music. Why? because they are musicians themselves. Look at the roll call - Jarvis Cocker, Huey Morgan, Guy Garvey, Tom Robinson, Marc Riley, Bruce Dickinson, Cerys Matthews and Lauren Laverne. Included are also long time music journalists like Steve Lamacq, Stuart Maconie and Gideon Coe. Not one of these people was picked for the job because they are a 'personality' or 'celebrity' they know what the fuck they're talking about.

PLEASE KEEP 6 MUSIC ALIVE.

Spoon & White Rabbits

2010-02-16T19:12:00.006Z

Manchester Academy 3, 15/2/10.

Here was a rarity Spoon playing the UK and even more rare in Manchester. So off to Manchester I toddled. It was a bitterly cold night again so the door staff let the early few of in to wait in the bar before going up to Academy 3 on the top floor. It was a sold out show so this helped.

I'd found out earlier that the support was going to be a band called White Rabbits from NYC. I had heard of them but hadn't really checked them out. They are a six piece guitar based band who were quite eclectic in they're sound due to the fact they did swap instruments with almost every song. They were fairly entertaining though.Spoon came on and I found myself more or less in front of Brit Daniel. They opened with "Mystery Zone" probably the most immediate song on the album. They went on to play most of their well known songs.

On a couple of songs too they brought on a couple of members of White Rabbits to help out with percussion. One highlight was "Turn my camera on" which they seemed to really beef up and extend the musical passage.

At the end I got Daniels set list and he came out to the front of the sage and chatted to the fans still hanging aroun. I shook his hand and told him it.s good to see them play Manchester.

Laura Veirs

2010-01-26T21:43:00.005Z

Manchester Academy 3. 19/1/10.

A good start to the year with LV touring her new album, due out the week of the gig. I couldn't get the album in metropolis Chester so ended up buying it at the show. Fortunately I'd heard most of the record from steaming so wasn't going in blind, or is that deaf ? whatever.

With Karen being over from the IOM I'd booked 2 tickets to introduce K to Laura live, a rather pregnant Laura too.
We drove up to Manchester and parked behind the Academy and went for a Danish inspired meal further up Oxford Rd then made our way back to the venue. True to form as we approached I spotted a couple of guys I know outside just as we got there security opened the door and said to us you can wait inside as it's so cold out. We waited in the bar area for 10 mins then went up to Academy 3. Karen wasn't too happy with the suspended spiral staircase though.
Nobody was sure if she was playing with full band or solo acoustic as it turned out she played somewhere in between. A striped down band, a violinist and two guys (both played solo support slots) who swapped between bass, stand up drum, keys and guitar. Having seen Laura with a full band and just solo acoustic several times I wasn't sure how this would work. With the new album being a fairly striped down affair it worked perfectly. I'd go as far as to say it was one of the most enjoyable LV gigs and I've seen her several times now. Highlights included 'Wide - eyed, legless' and the title track 'July Flame' as most of the new record was played.
On the way out I congratulated Laura on her expectancy and got her to sign a copy of the album "Hi I know your face but can't remember your name" she said, you can call me anything you like I thought.

Albums of the Decade

2009-12-31T20:33:00.019Z

Being the sad git that I am I thought I should also list my fave albums of the decade as we come to the end of the 'noughties' not sure if I like that word. What other word is there to use ? hmm we'll stick with that one then!!
Ok then albums of the decade? Decided to limit it to a top ten as opposed to a 100 or something like that cuz that would have taken too much time as I'd keep changing my mind. I also decided to limit only one album per artist otherwise it would just be a list of SK/Kristin/TM/Wave/Laura Veirs/Radiohead albums. It is anyway though I've limited K to one entry. Hey come on that was tough for me.
Not going to give a review just a straight list, so here we are my fave albums of the 'noughties' (as of time of going to press!!)

1. SLEATER - KINNEY - THE WOODS

2. 50 FOOT WAVE - GOLDEN OCEAN

3. LAURA VEIRS - YEAR OF METEORS

4. PJ HARVEY - STORIES FROM THE CITY, STORIES FROM THE SEA

5. RADIOHEAD - IN RAINBOWS

6. MIDLAKE - THE TRIALS OF VAN OCCUPANTHER

7. NICK CAVE & THE BAD SEEDS - ABOTTOIR BLUES/LYRE OF ORPHEUS

8. SUPER FURRY ANIMALS - RINGS AROUND THE WORLD

9. FIERY FURNACES - WIDOW CITY

10. THE STREETS - ORIGINAL PIRATE MATERIAL

Favourite Albums of 2009

2009-12-28T14:57:00.028Z

1. BIG SEXY NOISE - S/T
And what a big sexy noise it is. Lydia Lunch’s new project has a drawling sleaze all over it. At times though it reminds of the smokey drawl of Morphine. In a year dominated by folk collaborations and sweet songstresses it just stood out.

2 CONOR OBERST AND THE MYSTIC VALLEY BAND - OUTTER SOUTH
One of the most prolific songwriters on the planet gets a bunch of mates together and sets off to Mexico. Result a belting album. What shines through here is that its players are having a fun time. Lyrically not always light but even then it has a smile on its face. Can’t believe this is barely mentioned anywhere.

3THE DECEMBERISTS - THE HAZARDS OF LOVE
Fact one, they don’t make a bad record. Two, Colin Molloy’s probably the best around at putting a story to melody. Three, not many bands can get away with an almost prog epic of 17 tunes, with reprises!! That apart this is a great listen.

4THE COATHANGERS - SCRAMBLE
I just love this album, Yeah ok an all girl band playing shouty punk, right up my street I know. The love runs deeper here though as it reminds me of early 52’s and just has a good time along the way.

5. THE XX - S/T
One of the discoveries of the year though not much of a secret now as it seems to close to the top of most lists. Very atmospheric and moves along with melody and texture. A hypnotic journey.

6. SUPER FURRY ANIMALS - DARK DAYS/LIGHT YEARS.
I think this is the Furrys best album since Phantom Power. Typically eclectic its song craft seems to hold up better than their last effort. Furry’s back to their best, always a pleasure.

7. THE VICTORIAN ENGLISH GENTLEMANS CLUB - LOVE ON AN OIL RIG
At last the second from the Veg club, recorded with the now departed Emms on drums. Great eccentric shouty choruses and I think a more complete album than the first, though that came out so long ago………………..sorry Lou.

8. HOCKEY - MIND CHAOS
Don’t care, I like this quirky and poppy , full of sing along choruses. They’re from Portland too.

9. MAMA LUCKY - PERMANENT STRANGER.
A album put together by Jim White and vocalist Linda Delgado aided by Tucker Martine. Swampy Americana is the best way to describe it I think. As with most of his work Martine's production on the rhythm section is superb.

10. CATE LE BON - ME OH MY
Gruff Rhys mate and Welsh songstress’ debut. A really beautiful record of haunting vocal and quirky melody. Of all the folky solo female releases this to me stands head and shoulders above them all.

11. SILVERSUN PICKUPS - SWOON
Good to hear that some bands are developing their sound and getting better as they go along, a rarity these days. Swoon is better and more accomplished than the very good last album Carnavas.

12. SONIC YOUTH - ETERNAL
Eternal indeed the youff still sound relevant. This is even a better record than Rather Ripped it has a more spontaneous energy somehow.

13. RAMONA FALLS - INTUIT
A beauty spot in Oregon also a spot of beauty on a cd. One of the guys from Menomena it's just one of those records that keeps surprising you with every listen.

14. THE DEAD WEATHER - HOREHOUND
Well when the genial Jack White recruit’s the fantastic Alison Moshart it’s always gonna be good. It took a while to love to tell the truth. An album that will be looked at in 10 years time as a masterpiece, I think!

15. WILCO - ALBUM
Another band with a return to form in my opinion. If Gram were still alive this is what he’d sound like.

16. WETDOG - FRAUHAUS
Not a lot known about these mostly German I think. Fact is I like their sound and good shouty punky stuff and yes girls with guitars, I'm getting boring now I know.

17. VIOLET VIOLET - THE CITY IS FULL OF BEASTS
The Norwich trio return with a much more accomplished record . Good and loud, brash, short sharp shocks. Ah just the way three girls should play. If that sounds sexist I’m sorry, poetic licence!!

18. PJ HARVEY & JOHN PARISH - A WOMAN A MAN WALKED BY.

Another collaboration for PJ and JP. A dark bluesy album with typical passionate vocal from Polly. Truth is here there isn't a bad song on this record.

19. SLOW CLUB - YEAH SO
A beautiful and simple folky record. Well written and performed.
20. CHARLOTTE HATHERLY - NEW WORLDS
Our Charl’ returns with a new record the gun for hire takes time out of her busy schedule. Joking apart the strength here is its running order peppered with catchy licks and tunes you forget the odd ‘iffy’ tune because the album runs well. And who is ever gonna argue with lovely Charlotte.

A good year for music I think the strength is in the depth. On first reflection there were not many stand out albums but the fact here is that the last few listed are as strong as first few listed. There were many other good albums too I could have listed 50.

Malkmus & The Jicks

2009-12-14T22:04:00.008Z

The Deaf Institute, Manchester. 10/12/09.

Decided to to this one for a couple of reasons one to catch up with Dame Janet and also it seemed strange Malkmus was playing such a small venue.

I was off this day so it gave me chance to get to Manchester early, spend some money in Piccadilly records and mooch. After something to eat local to the venue I made my way and got there about 7:10 ish, doors were at 7:30.

Got myself a drink and stood at the foot of the stairs leading to the venue. There was a young lad sat on the stairs fiddling about with his phone after a few moments he looked up at me and asked "are you from the Isle of Man ?".

"Er no but I do visit frequently as my girlfriend lives there, why do you ask ?".

He pointed to the three legs of Man badge on my bag. Ah that gave it away then. We started chatting, he himself was from Douglas but was over in Sheffield Uni. We talked for a while mostly about music. It was the first time he'd been to the venue and I was telling him what a lovely little venue it was. We soon got let in and he fell in love with the place immediately. We took a position at the very front of the stage. Support band were called Glasrock, not sure if that's how you spell it. A six piece that found it difficult to fit all on the small stage. Wasn't sure if I liked them but they weren't bad. Malkmus came on soon after with Dame Janet looking very well. I was stood just to SMs right which is the best position as he tends to stand a little 'side on' so to speak. He also has a tendency to kick out with his left foot which a couple of times came close to catching me in the head. They played a very good sharp set of about 10 -12 songs finishing with 'Baltimore'. Janet was on typically super form too.

On the way out I managed to have a nice little chat with Janet. She asked if I was going to ATP that weekend. Unfortunately not. I asked her if there was any Quasi material in the offing, 'yes' she replied it's all done and "in the can" due out next year. I also asked if the SK DVD was ever going to see the light of day. She said that it would and was all down to Lance (Corin's husband) who was busy!!

Cymbals Eat Guitars

2009-11-20T20:54:00.006Z

Night & Day, Manchester, 17/11/09.

Made usual way to Manchester, though had to change at Oxford Rd to get to Piccadilly. Got there in good time was tempted to go to Piccadilly Records as CEG were playing an acoustic pre- gig 'in store' but by the time I'd booked into the Crown and with it being a cold wet dreary night I didn't bother. After securing sustenance got to the N&D around 8ish. Not too many people milling around as the first band came on. 'Egyptian Hip Hop', curious name for a band but hey they were alright. A bunch of young kids playing upbeat poppy stuff, not hip hop, thank god.

Second band were not much, they were decent musicians but played nothing new or interesting.

CEG came on the place had filled a little but not enough to temp people to the front of the stage. I had my usual position at the piano. They opened up with song one of the album and proceeded to rattle of some good tunes. The main focus of the band was the singer/guitarist who really was the main man. After a while it became blatant that there was no communication between the band. The bass player seemed out on a limb he never turned to the drummer, said guitarist never turned to the bass player. It was weired, as a band they were tight enough but you sensed there wasn't harmony there somehow.

It certainly was the singers band and he took all the applause at the end and was the only one to say thanks etc.

I enjoyed them though but was puzzled by their lack of communication as I left into the wet Manchester night, is there any other!

Im now working on posting my fave albums of the year and also the decade, hmmm.

Charlotte Hatherley

2009-10-02T21:59:00.005Z

Night & Day, Manchester 16/9/09.

I have been trying to get to see Charlotte for some time but never managed it or had the chance but it's been an acoustic show. With a new record coming out she was touring, not extensively as she never tends to do long hauls. During a session on R6 (Marc Riley) I enquired about the N&D show as to whether it was full band plugged in. Positive was the reply so I booked it on the spot.

Being off this day I took myself of to Manchester using the well rehearsed routine stop over. A usual visit to Piccadliiy records, bought stuff etc etc.

Wasn't sure what sort of crowd she was going to attract, fairly big I imagined. Got in the N&D handy and bumped into a lad I know well from many gigs and we took up residency stage right. Charlotte had recently been touring with Bat for Lashes recently as a hired 'gun' and one of her amps had the BFL logo still on, a bit of free ad for Natasha.

After a couple of un-noteworthy opening bands Charlotte appeared looking very splendid in 80's style white jacket. Sleeves pulled up to forearm. Nice.

Her band consisted of just a drummer and a bass player, both were very good too. Miss H opened with three songs off the new album one being the opener (to the album) 'White' which was very good. She then took a pause for a drink and to say hi, then launched into 'Behave' which didn't come over as good live as on record sadly. Most material was new punctuated with the odd older song, in all a good mix of material.

After the show she had copies of the new record for sale as she was self-releasing it. I bought a copy and got Charlotte to sign it, I complemented her on the gig and told her her backing musicians were very good too. She was very nice and took a lot of time to talk to fans after the show.

Good to see someone happy with their work and doing it on their own terms.

The Low Anthem

2009-09-18T20:52:00.004Z

The Deaf Institute, Manchester, 6/10/09.

Wanted to see this band, a three piece from America who play 'folk rock'. Mainly because I like their album and the are reportedly multi-instrumentalists and all swap during shows. Only ever been to the Deaf Institute a couple of times and like the venue a lot, it holds about 300 say but has a balcony viewing and a seating area at the back. This night for some reason I chose to go up onto the balcony which overlooks the sage left. It's a good view from here too looking over the stage, small as it is. First band on were a folky five piece who filled the stage, they were ok but again didn't catch their name.

I liked the view from the balcony as it allowed me to have a different perspective of the band. It seemed to take an age for the LA to set up, considering they didn't have a huge amount of equipment. Unfortunately I had a couple of (younger) guys stood to my right who were talking to each other about great gigs/bands they'd seen. One idiot was saying how great Led Zep were at Glasto...... 3/4 years ago???? and how good Moon was when he'd seen the Who. All this rhetoric bollocks started to get on my nerves. I had to eventually chip in and ask exactly what year did Zep play? he stumbled to an admission he saw Page play an acoustic set (arsehole) I asked how old he was, 26, so how come you saw Moon who died 5 fuckin' years before you were born (arsehole). I was actually quite pleasant to the two young guys considering and chatted to them for a while as LA came on. Moral of the story don't talk rhetoric bollocks within my earshot.

The Low Anthem started to a now packed venue. They rattled through a few numbers off their album. They then introduced on stage their ex-founder member! They did swap round instruments a fair bit which was interesting. For some reason though I couldn't get excited about them. They played a lot of early unknown stuff with their 'ex member'. The crowd seemed to really enjoy them but I felt it all a little flat.

There could be combination of factors for this, a different view, I couldn't see the whites of their eyes. Arseholes to my right and keeping an eye on the time so as not to miss the last train home.

VVC

2009-08-13T21:09:00.005Z

Magnet, Liverpool 7/8/09.

Was looking forward to catching up with the girls as it had been several months since I'd seen them. The venue a place called Magnet on Hardman St was a venue I didn't know so an early dart was needed.

I had arranged to stay at Nathans flat in Toxteth so had to find my way there and back to town too. Negotiated this quite well. Found the venue on Hardman St and spoke to a girl outside who was loading some gear in she said the fun would start at about 9.30 ish. Off in search of food I went.
Got back to the venue later on and found my way into the basement where all the action was to take place. There were a few people milling round but no sign of the girls, so got a drink and listened to the dj and watched some weird film projected on the wall. Jen and Sian soon turned up and we had our hugs and said our Hi's, it has been some months since I've seen them. It has to said they were looking good and Sian has lost a little weight too. Sian's mum and dad were here too so she introduced me to them and had a good chat.
Proceedings soon started so I moved to a position on a balcony to the right of the stage. First act was a guy by himself playing guitar and singing politically motivated material a sort of punk Billy Bragg!!
The girls were up next and played their usual high octane set. I can't say more about VVC really having seen them so many times. There was no new material which was a shame, a highlight was FF which was sang without the megaphone as Jen announced that she had forgotten it.
I wasn't too keen on the final act a duo who were well not for me.
After them I went over and said my goodbye to the girls. It was really nice to catch up with them and to see them looking so well and still very enthusiastic about their music.

The Victorian English Gentlemans Club (MKll)

2009-08-04T20:15:00.006Z

The Ruby Lounge, Manchester 3/8/09.

During their period of inactivity The VEG Club have become a four piece and sadly have shed the lovely Emma Damon.
There were four bands listed to play tonight with the VEGC last on. I got to the Ruby just gone seven thirty and got straight in, first as usual. I was followed in by the familiar face of a lad I know from many a gig in the Northwest. We chatted saying we were both in the same boat this year as finances are dictating our limited gig going.

I spotted Adem and Lou setting up a merch stall and they walked over to say hi. I asked what had happened to Emma. Lou said "we had a fight, it wasn't very amicable". So they now have a guy on drums, whose name I forget and a young lady on guitar no2, whose name I also forget.

The first three bands were not much a shoegazey MBV type band a metal band !!! and a arty rock almost Killers type bunch, nuff said.

TVEGC set up in a more standard way Adem center Lou on his left and the new girl on the right. They opened with 'Backwards' of the first album but mostly the set was of new material including the single 'Parrot'.

The new material sounded good with typical shouty vocal from Lou. I did notice that Emm's bell was on the drum kit, aw poor Emm's.

Hey all bands move on and so begins the MKII version of the Veg Club. I told Lou after they were sounding good and bought the new single on 7" and a T. Roll on the album release next month.

Half Term Report 09 pt2

2009-07-30T19:22:00.003Z

As I said previously even though gigs have been fewer this year cd purchases have held up. Here's a list of my fave albums so far this year done alphabetically.

Airborne Toxic event. S/T - An album that lives up to the hype.

Coathangers. Scramble - Love this quirky little record at times reminiscent of early 52's with dual female vocal.

The Dead Weather. Horehound - Jack White and Alison Mosharts' collaboration says it all.

Decemberists. The Hazards of Love. - Another superb set from Colin Moloy they just don't make a bad record.

Dials. S/T - A great slice of psych country rock

Julie Dorian. I can wonder what you did with your day - Canadian singer songwriter, a quirky folky piece

PJ Harvey & John Parish. A woman a man walked by - Anything Polly does is fine by me.

The Horrors. Primary Colours - Ok ok, I hold my hands up here, I was very dismissive of this lot at first I thought they were a marketing joke. My cynical nature has been dented by what is a very fine second album. I admit now I like this bunch.

The Low Anthem. Oh my God Charlie Darwin. This years Fleet Foxes?? probably not but it is a very good album

Conner Oberst and The Mystic Valley Band. Outer South - I love this probably my fave record of the year sounds like Dylan has taken happy pills.

Pains of being pure at heart. S/T - Slightly twee pop rock but I still love it

School of Seven Bells. Alpinisms - One band I did get to see earlier in the year a dense sonic sound with dreamy vocal, it works.

Silversun Pickups. Swoon - Here's a rarity a band follows a very good debut with a second that is imo a better more accomplished album good on 'em.

Sonic Youth. The Eternal - This is a real return to form even though Rather Ripped was a fine record this just sounds much fresher amazing to think they've been doing it for 30 years thereabouts.

Super Furry Animals. Dark Days/Light Years - Why the Furrys are so overlooked is astonishing, ok last album was not totally up to standard but again a great return to form here.

So there you go I've probably missed some stuff I haven't paid enough attention to and I sure there will be plenty to yelp about during the second half of the year.

Half Term Report 09

2009-07-10T21:19:00.011Z

Well a six month hiatus, still hate that word, a brief update of the year so far.

Firstly a huge boot in the groin for not keeping the blog up to date, ouch!!
There have been reasons of course which have influenced this. Firstly I now dedicate a lot of my time to a special lady I have in my life and travelling back and forth to the Isle of Man has taken up time and money.
Secondly the 'R' word my income has suffered greatly therefor instead of 3/4 gigs a month it's more like 1. Though CD purchases have held up well.
Thirdly a project of completely renovating the flat was undertaken mainly prompted and aided by Karen. Moving all those records and CD's was a mare. The result is a much better living space though.

So to the gigs I have attended. I'm not going to blog all but the highlight was and probably will always be Kristin in Lancaster, here's how.

I didn't have a ticket for this gig as it sold out very quick. I appealed on the fan site and a girl from Liverpool offered assistance. My plan was to shoot up to York for the Friday night show across to Lancaster then get the Ferry to the IOM at 02:15 the Sun morning. Got to the York gig in good time and good to see a load of familiar faces there. Great to see these guys still doing the 'circuit'. K was on good form too, well I wouldn't say anything other would I, but she was. Bought a signed CD and T shirt too Yay!
On to Lancaster. Plan was to get there get a call from my contact, sorted. It got to 30 mins to doors I was in the lovely old cellar bar opposite the venue, no call and then my phone went dead, shit now def no ticket. I thought well all I can do is go to the venue and see if I can get in some how. This is where the best thing in the world happened. I looked up from my forlorn bar stool and there was Billy (O'Connell, K husband) stood at the bar and three feet behind was K. Jeez! with a few glasses of wine inside I went over and introduced my self as a long time fan. I sat and had a drink with K & B. I explained my ticket contact had failed. 'No problem' said Billy 'your our guest'. The rest is history.

I have to say I don't have much in life but I have a lot of great memories, have seen many great places and have been very lucky with my experiences, there will be more to come I'm sure.

Thank you Kristin and Billy for being the people I believed and hoped you were a case of meeting an idol who doesn't let you down.

On to other shows that have impresses, School of Seven Bells at the N&D were very good and great to catch a full set from Brooklyn and Ruth of Rue Royale. How they are not huge is beyond belief such good rhythmic timing and vocal harmony, superb.

K - Lancaster

Sky Larkin - N & D

Rue Royale - Liverpool.

Some great news on the horizon the Veg club are playing Manchester on the 3rd of August, they haven't played for about 18 months, Looking forward to catching up with Lou, Em's and Adem. Lazy gits I was only inactive for 6.

Next up I'll post my fave albums so far.

Best Gigs of 2008

2009-01-03T20:27:00.004Z

So a tuff year on the old finances front meant a cut down on attendances, last year I think I did 53 this year a meagre 42. That said there were some great moments out in the field of duty. These are my fave 10.

1. The Kills - Manchester Academy.
Best gig of the year without a doubt. The electricity between Alison and Jamie was plugged into the national grid.
http://slightmalecoyote.blogspot.com/2008/04/kills.html

2. Ida Maria - Night & Day Manchester.

I wasn't sure about going to this gig but goddamn she is a really great performer and a stage presence to match.
http://slightmalecoyote.blogspot.com/2008/03/ida-maria.html

3. Angus & Julia Stone - Manchester Academy.
Such a great atmosphere here. A beautiful quirky stage, great people and a great band.
http://slightmalecoyote.blogspot.com/2008/05/angus-julia-stone.html

4. Fleet Foxes - Roadhouse, Manchester.
This was the first or the FF gigs of the year and certainly the best.
http://slightmalecoyote.blogspot.com/2008/06/fleet-foxes_18.html

5. Stephen Malkmus & The Jicks - Manchester Academy.
Well if I'm honest this makes it in because of Dame Janet, that said SM was on very good form this night.
http://slightmalecoyote.blogspot.com/2008/06/janet-weiss-jicks.html

6.John & Jehn - Night & Day Manchester.
This French duo were so French it was like being in Bordeaux. John borrowed my shades for one song too.
http://slightmalecoyote.blogspot.com/2008/07/john-jehn.html

7.The Acorn - Night & Day Manchester
These were just a very good band as far as their musicianship. Front man Klausner was very good at holding and directing the band
http://slightmalecoyote.blogspot.com/2008/10/acorn.html

8. Bon Iver - Manchester Academy.
The thing here was Justin Vernon played with a full band and really beefed up the album material.
http://slightmalecoyote.blogspot.com/2008/11/bon-iver.html

9. Wolf Parade - Ruby Lounge Manchester.
So pleased I got to see WP. Amazing that the first 2/3 rows of people here literally sang along to every song.
http://slightmalecoyote.blogspot.com/2008/11/wolf-parade.html

10. Port O'Brien - Night & Day Manchester.
They packed the stage of the N&D and played their upbeat rousing folk. A very entertaining band
http://slightmalecoyote.blogspot.com/2008/11/port-obrien.html

So there you go, some good trips. As usual the Night & Day was the outstanding venue. Onto 2009 we go, though probably even less shows will be attended so I'll have to pick and choose when and where. 08 was good gig wise though.

Best Albums of 2008 (IMO)

2008-12-20T20:09:00.029Z

MY FAVOURITE ALBUMS OF 2008

1. Rue Royale - Rue Royale

I’ve stuck with this as my album of the year. A simple acoustic based folk album by a duo from Chicago. It has James Tayloresque melodies and is such a beautiful little record no frills just great songs. It is just simply my favourite piece of the year.

2. Angus & Julia Stone - A book like this.

This is such a beautiful record. Antipodean siblings play a cosmic folk that just captivates. The opening track ’The Beast’ is probably my favourite track of the year. Julia Stone has such an interesting voice too, very child like at times. The CD itself is in a lovely book like format that just adds to the whole package.

3. John & Jehn - S/T

Forget how I came across these, a French duo from Paris. Imagine the Velvets were from Paris and Marseilles and had a feel for dark pop music. Another interesting product in that it’s a double CD , side John and side Jehn . Containing five tracks each disc. Just different and fresh.

4. Bodies of water - A Certain Feeling.

Ok showing my age here this could have been released in ‘74 - ‘76. On closer inspection it’s very new and exciting, yes it has a mid ‘70’s prog feel at times. Very eclectic too. Most tracks stretch out to 5/6 mins long. A four piece Californian band on the Secretly Canadian label. Orchestral at times it builds, slows, explodes. Always leaves you wondering what the hell was that.

5. Fleet Foxes - Sun Giant EP/Fleet Foxes

Yeah! ok, the band of the year on everyone’s lips from the word go. A five piece from Seattle on Sub Pop/Bella Union. Mojo made it their album of the year and it will feature on every top 10 list, guaranteed . I’ve listed the EP and the album for the simple reason they fit together. Ethereal church choir folk music is the best description of this. I saw them live twice during the year, though not as good second time round, still a very good live band.

David Cronenberg’s Wife - Bluebeard’s Rooms.

Labelled as anti-folk (whatever the f**k that is) ,more of a cross between Cave and Wayne Coyne, dark humour and more of an art-pop work. Full of good songs that grab attention in one way or another, in all it’s just a great listen and one of the undiscovered gems of the year imo.

7. The Kills - Midnight Boom.

Alison and Jamies' third album and in my opinion their best. I’ve followed the Kills since the beginning and this is their most complete work. Albeit the most commercial perhaps. Still deep, dark and broody though more tuneful than its predecessors. Most songs pack in at under three mins so attention is never lost. This album should make more people take notice of the Kills imo, we’ll see!

8. White Denim - Workout Holiday.

A three piece Texan band, nope! nothing like that should sound. Upbeat punky, progy, just a great slice of unusual rock and roll. Sometimes bluesy sometimes extravagant and chaotic. The thing is here they sound like they're having fun. I saw them live and they are excellent musicians and play with a passion for their art.

9. Silver Jews - Lookout Mountain Lookout Sea.

What’s this? a COUNTRY album? Well yes it is (of sorts)more alt-country (whatever that is). Fact is it’s a great collection of songs. As you'd expect it's strength is in its lyrical content. Ill admit I hadn't come across these before, although this is something like their 6th album. Fact is you can't argue with a collection of great songs.

10. Bon Iver - For Emma for ever.

Basically the work of singer/songwriter Justin Vernon. Again a folky acoustic piece. It took me a while with this if I’m honest but after several plays I ‘got’ it. Recorded in a log cabin in the depths of the Oregon countryside, it has that lovely spacious feel. Live, the songs were beefed up by the full band and came across even better. A lovely piece. Again one that features on most lists.

11. Free Kitten - Inherit.
Kim Gordon and Julie Cafritz collaboration now on Thurston’s ‘Ecstatic Peace’ label. This got a bit of a pounding by most reviewers, I like it though. There is a an edge and an unknown direction to it that appeals to me.

12. Scanners - Violence is Golden
Been with this one for 12 months. A London band, it was released in the US before the UK. I imported the album so got it the end of ’07(though the UK release was Jan 08). A good indie rock album led by the vocal of Sarah Daly.

13. Immaculate Machines - Fables.
Canadian band from the ‘New Pornographers’ stable. That says it all really, just good quality indie pop/rock. Good tunes, well structured and always listenable. Some excellent vocal harmony and drum rhythm always compliments.

14. The Acorn - Glory Hope Mountain.
How I found these I forget. Another Canadian folk/rock band, simple songs with an acid folk feel to them. The album itself is a biographical account of guitarist/singer Rolf Klausner’s mother and her life, interesting stuff.

15. Be Your Own Pet - Get Awkward.
This is just raw punk as it should be. Angry, opinionated but fun. BYOP are the best around of this type of thing. Sadly though they called it a day latter this year. Great encore though.

16. Deer hunter - Microcastle.
Came late late to this. I’d heard and read reviews and eventually got round to buying it. It took a while but the infectious melody of several of the songs coupled with its quirky nature endeared me to it.

17.The Dukes Spirit - Neptune.
I’ve been a fan of these for a while and loved their first album. This seems to have been passed over by most people but is great piece of garage rock led by Liela Moss’ superb vocal.

18. Jenny Lewis - Acid Tongue.
Multi talented Ms Lewis takes a break from Rilo Kiley to create a super country tinged album full of excellent tunes with a guest role for Elvis Costello

19. TV on the Radio - Dear Science
Another band I’ve followed for a while this is their third album. It is the one that has made more people sit up and take notice. Slightly more tuneful than its predecessors but still the trademark full sound with a lot going on in there.

20.Dig Lazarus Dig - Nick Cave & The Bad Seeds
After last years Grinderman project Cave returns with the seeds. Another excellent album from one of the industries finest lyricists.

21.The Week That Was - S/T
A side project of Peter Brewis of Field music. It wasn’t until Marc Riley named this his album of the year that I really took notice of it. A very good collection of modern pop songs.

22.Wolf Parade - At Mount Zoomer
Second full release from WP. It’s been three years since ’Queen Mary’ and a good follow up it is. More of the same really key led upbeat indie rock. Saw them live too which sealed their place on the list.

23.Vivian Girls - S/T
A band I just came across (the name caught my attention of course). I imported the album and loved it immediately. Production on this is very raw and diy sounding which adds to the character.

24.Blood Red Shoes - Box of Secrets
I’ve followed Laura Mary and Steven since the beginning. It’s probably been two and a half/three years. Most of the stuff here I knew so it was not new to me. In truth they went for a polished production which doesn’t suit their sound imo, but it’s here out of loyalty, it’s good though.

25.Ting Tings - We Started Nothing
Ok this is for seven year olds we know but I it is still a great piece of upbeat pop music. I make no apologies for including it.

There you go I'm gonna stop at 25. There were many other great albums this year that I could have included. New Bloods, Yoav, Constantines, Marnie Stern, Death Cab, Sons & Daughters, BSP, Gutter Twins, Malkmus,Raconteurs, Santogold, MGMT, Underground Railroad, Deerhoof,Tilly & the wall. To name a few who are worthy of a mention.

The Vivian Girls

2008-12-12T16:12:00.005Z

The Deaf Institute, Manchester, 10/12/08.

The Vivian Girls are a three piece from Brooklyn. I forget how I came across them but I imported their album a while ago and really liked it. I spotted they were playing Manchester so booked to see them.

I have never been to the deaf Institute though have threatened many a time. I noticed it was a late show so I booked to stay over. The venue is upstairs at a student type bar/club just off Oxford Road. I was quite surprised when I got up there, there was a purpose built stage in a ballroom type room with an old cinema style seating/viewing area at the back, which was very ornate. There is also a small glass fronted area set up some steps to the left.

Whilst going up I saw a guy who I recognised, we looked at each other as if to say 'I know you from somewhere' we had a chat he's just one of the many faces that does this circuit of gigs and has been at a lot of shows I've done this year.

First up was an Elvis impersonator who was ok really but his band were shite! Next was Hotpants Romance a band I know and have seen a few times before, always entertaining too.

Vivian Girls came on about 11.30, three typical American girls, very gracious and polite. The guitar sound on the album is very muffled and I wondered if they could recreate that on stage. I think the production on the record makes the sound that way and their live sound is more standard. They are pretty good musicians though and some of the songs they really got a good fuzz on the guitar. As they were playing the last song Cassie put her guitar on the floor using a load of feedback went over and took the bass off Ali, who in turn went and took over from Katy on drums. She then picked up Cassie's guitar and they carried on having swapped instruments, cool.
Enjoyed these as their enthusiasm for their work was very apparent. This was the last gig of the year so next up will work on 'True Toil and a list of my fave shows of the year.

Wolf Parade

2008-11-30T21:20:00.007Z

The Ruby Lounge, Manchester, 28/11/08

It's been three years since the release of 'Queen Mary' so the new Wolf Parade album was eagerly awaited. Along with the chance to see them live. They didn't announce many dates but this one at the Ruby Lounge in Manchester was one of them.
I've only been to the RB on a couple of occasions but quite like it even if they do have one of those metal barrier thing's. There was a decent queue waiting when I arrived as the show was sold out. Some people were not aware of this and didn't have tickets. In retrospect they could have probably sold out the Academy.
I took up my usual position Corins side front right of the stage with my pint of the black Irish stuff. The support was from a Scandinavian/American three piece band called 'Dag for Dag'. They were ok and the lead singer/guitarist was an interesting young lady who wore a silver headband and leggings. They were intriguing enough for me to buy their EP later.
Wolf Parade came on and opened with the lead track off 'Queen Mary', 'You are a runner and I am my fathers son'. They are very key driven and singer/keyboardist Spencer Krug sets up front center of the stage. He also balances himself on his stool using his knee. It was pretty packed up front so I had to put my drink on the speaker to my right and a kind young man kept handing it to me every now and then so I could have a swig. I had actually let his girlfriend slip in to the front so he was paying me back.
Wolf Parade ran through all of the best stuff off their two albums and were excellent doing so. I think they were a bit overwhelmed to have such a packed venue and an attentive audience. Most songs were sung along too by the people in the first couple of rows.

A really enjoyable night and great to see such a band that only come round once in three/four years.

White Denim

2008-11-29T22:34:00.017Z

The Ruby Lounge, Manchester, 23/11/08.

Another of the upcoming bands of the year. A three piece young Texan band with a fairly eclectic sound labeled as 'new grunge'.

I've only ever been to the Ruby Lounge once before, to see V V C as it happens. Decent little venue as I remember. The support was from a band who I've heard of and have penciled in to keep an eye on. 'Six Nation State' I enjoyed them and they have been getting some good reviews throughout the year. A five piece from London they played with a great gusto and attitude.

White Denim came on and set up with the drummer up front center stage and the bass player to his right and guitarist on the left. They set up to play at each other too which is something I always like.

Whether I'm getting old or not I dont know, but the bass player only looked about 12. The guitarist, who made most of their sound used several effects, was an excellent player. He had a real geeky way of playing too and quite archetypal rock starish by mimicking the sounds with his mouth as he played. The drummer too played a lot at the guitarist and at times played songs stood up.

They played most of their album, but also in the middle of the set played two new songs which sounded very good. By all accounts they more or less have a second record in the bag. A very good live band full of energy and excellent musicanship.

Fleet Foxes

2008-11-24T21:06:00.005Z

Manchester Academy 2, 9/11/08.

Probably the band of the year like Midlake a couple of years ago the breakthrough act. I had seen them earlier in the year at the Roadhouse before they had really been taken notice of. They have upgraded venue to the Academy which made sense.

The Roadhouse gig seemed very intimate with Robin the lead singer sat down on a stool and the whole band relaxed. The support here was from Josh Tilman, Fleet Foxes drummer as it happens. He was very good and entertaining just straightforward acoustic folk stuff but good.

Fleet Foxes came on but this time Robin stood center stage no stool in sight. They started off brightly and again were superb in the deliverance of their songs. Though this time for some reason I didn't seem to enjoy them as much. There was

something missing the wasn't the onstage banter as much and I think they seemed a bit more serious about their work. Robin did his two songs solo as last time. I can't fault their performance or delivery but to me this gig was not as enjoyable as the Roadhouse show. Still a great band though.

Ladyfest Manchester

2008-11-22T21:51:00.004Z

Zion Arts Center, Manchester, 8/11/08.

Though Ladyfest was spread over three nights I could really only make the Sat night. Unfortunately too even though VVC were playing the Sunday with the Slits I had already booked a ticket to see Fleet Foxes at the Academy. The Sat night had an interesting line up though with Penny Broadhurst Miss the Occupier and Shrag as the main highlights. Penny Broadhurst was playing when we arrived though entertaining her sound was poor and her vocal not very clear. Miss the Occupier (pictured) were next and the highlight of the night in my opinion. A three piece Scottish band good jangly punk style well delivered. Id seen Shrag before as they're good friends with VVC and wasn't that enamoured with them in truth. Here though despite some technical hitches they were very good and I enjoyed them, they came over much more vibrant and coherent.

Port O'Brien

2008-11-20T21:46:00.003Z

Night & Day, Manchester, 23/10/08.

First saw this lot last year as the support to Modest Mouse in Liverpool. Liked them so imported their album. A Californian folky/rock band who have a sea shanty feel to some of their stuff.
I missed the name of the support band who were a jaunty four piece guitar band from Liverpool. Ok but heard it all before really.

PO beef up their sound quite a bit live from their recorded sound. Lead singer Van is a really good energetic performer. After a couple of songs he mentioned that they had played Sheffield the

night before and had their van broken into and a load of stuff pinched, fortunately nothing too valuable like instruments or money. He proclaimed Manchester a much nicer and friendly place.

They played a really good set finishing on their most popular song one that Radio 6 music has been playing alot recently "I woke up today". For this the band handed out some old pots and pans for people to bang along to for the chorus, neat.

VVC

2008-11-16T21:18:00.001Z

The Rampant Lion, Manchester, 4/10/08.

Having got back from France we decided to go and catch up with the girls in Manchester. They were playing a pub called the Rampant Lion that I didn't know but after some time consuming 'getting lostness' in pouring rain we found it. Met up with Jenny,Sian and Julia and I introduced Karen to them. We had a chat while they were putting their set list together. Running order was put together by Karen and I too. The girls played a quick set and thanked us for helping with the set list. On a sad note before the gig someone had stood on Jens guitar and snapped the neck. Jen was pretty upset and angry but played with a borrowed one to her credit.

France - Bordeaux 10/08

2008-11-16T00:13:00.001Z

Magnet School

2008-11-14T21:26:00.004Z

Sound Movement (not) / Magnet School, Korova, Liverpool, 25/9/08.

This was the first day of my holiday and I was spending the night in Liverpool to catch up with Andrew, Kat and Graham of the Sound Movement. At the venue was a notice saying that SM had to cancel, bugger!!

So the support band called Magnet School played for a free entry. As usual not too many people about and as they were setting up I noticed a guy taking and testing a video camera. I thought to myself I know you from somewhere. Next thing he comes up to me and I recognise him as Graham the Sound Movement drummer. He tells me Andrew had been badly beaten on the London Underground the night before. Thus preventing him from travelling for the the gig. We had a good chat and he introduced us to the people from Magnet School.

As for the gig itself MS were ok, quite loud with a Sonic Youth/Pavement influence but ok as a support band. At least we got to a band though.

Bon Iver

2008-11-01T21:51:00.005Z

Manchester Academy 2 15/9/08.

The album "For Emma for ever" came out of nowhere and is one of the surprises of the year. It's guaranteed to make every top ten list of the year. Ill admit I was a little disappointed at first but after a few plays I "got" it and now love the album to bits.

For the life of me I can't remember the name of the support act here. She was a sweet little thing who played acoustic guitar and sang and had the back up of a guy on bongos/drums. Self penned folky ditty's she was very entertaining, though a little tentative at first.

Bon Iver as the album sounds and suggests is a guy with an acoustic guitar, in fact it's a full band. The main focus is Justin the main guitarist and singer. Most of the set was alot rockier and a much fuller sound than the album which took me by surprise a little bit. To my recollection all the album was played as Justin stated they had no more material. Though they did play a Graham Nash cover, title of which I can't remember now.

It has to said Justin is an excellent guitarist and his band very good musicians. They made the album material sound much richer as a full band in all making it a very pleasant experience.

The Acorn.

2008-10-13T20:50:00.005Z

Night & Day, Manchester, 10/9/08.

Liked the sound of this band when I checked them out so imported the album. Noticed they were touring so booked the N&D show. Usual procedure, had booked into the Crown so got there from work chucked in my stuff and set out to the N&D.

The place was not too full as I had expected due to the album not being out in this country yet.

Support was from a local band called Merchandise who were quite good, upbeat folk/rock band.
The Acorn are a six piece Canadian band who play a jangly folk rock. Their led by Rolf Klausener who is chief songwriter. As with most Canadian bands I see the musicianship was spot on, the whole band comfortable with their instruments.

Nearly all of the set played was the new album "Glory Hope Mountain". There were a couple of songs I did not recognise though. They were a really good 'together' band and orchestrated well by Rolf. I enjoyed them immensely.
After the gig I saw Rolf and a few members of the the band standing over in the corner so I went over to say hi and say how much I like their album. They were impressed that I had imported a copy and they all signed it for me. As I was about to depart one of the guys from Merchandise came over and asked if I was the guy who was taking photos. I was of course and he asked if Id send him the ones I took of them, which I did.
A good night again at the N&D.

Henry Rollins - Spoken Word Show

2008-09-03T12:09:00.006Z

Liverpool Academy, 30/8/08.

Was not sure what to expect here. This was a spoken word show, but I had been told that Rollins was very entertaining.
HR came in good time to a packed out (seated) Academy. He started by saying that he is still basically an angry man. He tells of how wherever he travels in the world he walks down the street holds out his hand and says 'Hi I'm Henry'.

Being an American and the places he visits are considered by his government as risky, his jist being he wants to find out why the world hates America. He explains that yes the administration is corrupt and hated but in general most Americans are nice decent people.

He diversified of course with less serious material, a piece on Van Halen's reunion and another on Ozzy. In fairness these were made interesting by some very good impressions of the above.

One interesting segment explained that whilst going through airport security once he was being ignored and the guy in front was getting all the attention. The guy turned out to be Cat Stevens. He explained that he loved his music and the album 'Tea for the...........'. I didn't hear exactly what he said but it wasn't Tillerman, a faux pas I think.
Ok I'm a geek.
I did enjoy this show though. Incidentally in Academy 2 next door the Gutter Twins were playing. So there was Rollins, Langan and Dulli all in the same building. Bet there was a bit of partying later.

Poppy & The Jezebeles

2008-08-27T13:16:00.005Z

Central Station, Wrexham. 20/8/08.

I've been wanting to see these since I bought their mini album last year. Poppy are four young girls from the Midlands who play light piano driven pop songs with a monotone vocal.

With this gig being in Wrexham I'd arranged to stay with my sister Ruth which is really handy.

I got to Wrexham in plenty of time to drop my stuff of have a coffee and get into town. Did my usual ritual of pre checking the venue. The main band tonight were the Death Set so I was not sure what sort of crowd would be there. It was a Wednesday night and there was a football match going on in town too.
Come time for doors there were two young girls stood outside and myself. We went in and the show for this one was in the upstairs bar as opposed to the main stage.
It wasn't a big crowd probably only about 20 - 30 people. First band on were 'Mother of Six' a local Wrexham band who Sean had mentioned to me a while back. They weren't bad musically but I wasn't keen on the singer.

Poppy came up next. I really liked their EP last year and especially 'lips of Cleopatra' which has such an infectious piano riff in it.
Lead singer is Molly who sings a monotone style which suits their style very well. They opened with their new single UFO, which wasn't on the album. The set was all new material so I didn't recognise any of. All sounding good and they are interesting to watch. They did finish on 'Lips' though which was super.
With all the new material in the bank I hope they can get a full album out soon.

Those Dancing Days/Answering Machine/The Bangs.

2008-08-15T21:55:00.011Z

Roadhouse, Manchester, 9/8/08.

After seeing DBT the night before and being off work this Saturday I decided to stay in Manchester for the day. There were a trio of bands playing in the Roadhouse. I phoned the venue to see if I could pay on the door, which I could. The only problem was that I'd have to shoot out before the end to get the last train home.

Got to the Roadhouse in good time and paid on the door £9, not too bad really three pound per band I suppose.
First band were a three piece from Manchester called The Bangs. Their led by two young ladies on guitar and bass. They play a grungy style which was ok. To my surprise after a couple of songs they switched guitars, the girls handed the other one her guitar and they swapped sides. After another couple of tunes they swapped again, interesting.

Next band were another Manchester band called The Answering Machine, I've heard the name about but haven't checked them out. A four piece standard issue. They play a jangly pop/rock, not a new sound but they were quite good though.

Those Dancing Days are a 5 piece all female pop band from Stockholm. There's quite a buzz surrounding this lot at the moment. I suppose it's the 'all female' 'Swedish' 'pop' that has made people take notice or is that just the cynic in me?

They came on after an introduction from the guy who runs the Roadhouse. There was a good packed crowd too and an expectant atmosphere. I don't know much of their material only the single that has been played a fair bit on R6. They seemed a bit disjointed at first but after a song or two got into their stride. The single 'Hitten' went down very well and seemed to uplift them a bit. The lead singer danced away swinging her arms in a windmill/swimming action which was kooky. The main characters in the band seemed to be the guitarist and the keyboard player. Guitarist Rebecka (ok I checked the name on myspace) played with a huge grin on her face most of the time. She also had the set list written on the back of her hand in pen. Whilst the keyboard player was the crowd motivator.

I'm not totally convinced but they are a young band finding their feet. Entertaining I suppose but they seemed to go down well with the fairly young audience.

Drive By Truckers

2008-08-11T21:24:00.006Z

Manchester Academy 2. 8/8/08.

In truth DBT are not particularly my thing but I thought I'd go see them as I quite like their latest album. They do have a good live rep though. They are a six piece southern American rock band the main focus though is on the 2 main guitarists and the bass player.

The support act was an Aussie singer songwriter who wasn't bad in truth. He ended his set by saying "enjoy DBT and boy can these guys drink".

DBT came on with two of them carrying bottles of JD. One of them being the only female member the bassist a Ms Tucker as it happens!!
They launched into the set song after song. They barely broke between tunes and played a very big set.

The guitarist I was in front of was an excellent musician too, ok he had all the posses, southern American rock style!. Could back it up though. I did like Ms Tucker as well, Ah! flashback!! :[] she had an interesting bass style. Yes they did drink their way through the bottles of Jack announcing "excuse us we haven't had a drink since soundcheck" a bit cliched but...
A band that is good to watch in fairness. I can't say anything bad about them really. Their sound was good and loud but pitched correctly so was just right. Good musicians, rattled through a long set, so a value factor. Just the fact that southern rock isn't for me, if you like this type of band then yeah go see 'em. For me though, nah!

Question here is if this isn't my type of thing then why did I go and see them? Well when I booked the gig there was tumbleweed drifting down gig street so it was the only band around to see that I could actually make it too.

So here's the thing...........

2008-08-02T20:15:00.016Z

..............you know the way conversations in the pub go, by the end you haven't solved anything and are faced with broader more difficult question.

During a discussion regarding the Mercury music prize the other night some bright spark comes out with :-

"Ok then name the best 5 albums for each decade, starting with the 60's"

This of course sparked everybodys imagination. We stood silent for a while then a tirade of album titles littered the air. All the obvious were thrown out at first, the Beatles , Stones, Dylan, Hendrix, Velvets etc etc. Then the thought of "but I love that album by the Stooges, Zappa, Scott Walker" etc etc.

This patten carried on through the discussed decades, though often revisited they were. Each decade followed the same pattern an immediate first three of the top of the head, then a think, and a shout for the other two, then a change of mind then a sheesh! what about...

It all came down to is 'Revolver' better than 'Rubber Soul'? (no one mentioned Pepper btw their worst album in my seemingly controversial opinion!!) Is 'Freeweelin' better than 'Blond'? is 'Experienced' better than 'Ladyland'? is 'Trout Mask' better than 'Hot Rats' ?

This got so into the psyche of all present that even after the night was finished I got a phone call at 01:20 am from my mate Tim saying "I've decided to drop 'Horses' in favour of 'Radio Ethiopia'. Thanks mate just what I needed to know at that time of the morning.

So here is my present draft-

60's

Trout Mask Replica - Captain Beefart.
To this day still sounds fresh and different.

Are you Experienced - Jimi Hendrix.
I defy anyone!!

The Stooges - The Stooges.
An album that took the 60's into the 70's, if that makes sense.

Here are the Sonics - The Sonics.
So far ahead of it's time.

Revolver - The Beatles.
Of course it's better than Pepper.

The 70's was a difficult one to nail, is 'Zep 4' better than 'Graffiti'? 'Horses' or 'Ethiopia'? (thanks Tim!) 'London Calling' or 'Clash'? 'What's going on' or 'Songs in the Key?'

70's

The Clash - The Clash
The definitive and best punk album no debate! In '77 most of the major 'rock giants' were between albums. I think Floyd were the only ones of that ilk to release (Animals). When 'The Clash' landed it was just Whoa!! WTF? it just sent everything else out the window.

Tapestry - Carol King.
Yes this still makes me cry Natalie. Possibly the greatest singer/songwriter album. I grew up with this and have never tired of it. It just seems to have been there all my life.

Metal Box - Public Image Ltd.
So far ahead of it's time. Pil were never received that well for some reason. I'll admit my original cynical opinion was to dismiss them. This their second album changed my mind, Lydon was trying to be different from his past and push new directions. Listen to this today and it stands head and shoulders, in terms of longevity, of anything Lydon has done. This is just my personal opinion.

Physical Graffiti - Led Zeppelin.
This was the first album, in '75, when I was 14 that just woke me up to the real power of music. This just smacked me in the face and said this how powerful and moving rock 'n' roll can be.

Talking Heads - Talking Heads.
With punk at it's height this was just the great alternative. It sounded fresh and vibrant at the time. There are alot of different influences in there

The 80's was a tough decade for me, married then skint etc etc. I probably bought less here than any time in my life. Have caught up well since though.

80's

Throwing Muses - Throwing Muses.
TM's first and it set the blueprint for them. K wrote this when she was 16, so full of hurt and psychoanalysis = genius. At times it's not an easy listen but but you know there is a lot special in there.

Surfa Rosa - The Pixies
Ok from the same stable as above (4AD) Again though you are aware of it's special quality.
Their freshest moment imo. This set a blueprint to what was to follow, a real landmark piece.

The Queen is dead - The Smiths
If any album saved the decade this is it. This just contains a band at their peak imo. Somehow it changed a 'thinking' Ok, I'm not sure what I'm trying to say here, It's just a bloody good album.

In My Tribe - 10,000 Maniacs.
Can't remember how I came across the Maniacs, I think it may have been Peel. I just remember falling totally for Natalie Merchants voice. Again when things were raging around it this just stood out and made you take notice of how great music can be simple yet complex.

When in Rome , Kll me - Cud
Again I think a band I was introduced to by Sir John. What do you say about this? it was almost a concept album when the word was revilled. I may be wrong on that but what the hell. An album that doesn't have a dull or poor moment in it.

The 90's selection was one of the easiest for some reason. My final draft is almost identical to the first shout. Though I'm still struggling on 'Dead Bees' or 'Grace'.

90's

Red Heaven - Throwing Muses
K's guitar playing on this is just awesome. The opening, 'Kashmir' inspired???, 'Furious' just so makes you take notice of K's competence and how comfortable she was playing such a piece. It also contains 'Pearl' just freakin' awesome. Also 'Rosetta Stone' and 'Carnival Wig' 'nuff said.

Dry - PJ Harvey.
This just grabbed me straight away. It's abrasive, angry, at first not coherent. You then realize what a great work it is. It seemed so different to everything around it at the time.

Cure for pain - Morphine.
This was just a different take on how to present short simple songs. Played with just fretless bass, drums and tenor sax. It was just such a refreshing different sound. A great album. Lead singer Mark Sandman died tragically on stage in Italy some years later, such a loss.

Dead Bees on a Cake - David Sylvian.
I've always loved his voice, this is just a beautiful piece. I was always more a Japan fan as opposed to Duran, they seemed to be compared in those days. Sylvian's solo work can be hard work but this album is a masterpiece, again imo.

Dig Me Out - Sleater-Kinney.
Yeah ok, but quite possibly my fave album of all time. I can't eulogize enough. Opening title track through to 'Dance song 97' and 'Jenny' WOW!! The cover art a replica of a Kinks album and the great photo of the ladies on the back with Corin with her arms stretched high. What's that all about? I need not go on any more. xxx

As with the 90's the 0's I nailed fairly quickly.

00's

Sunny Border Blue - Kristin Hersh.
To my mind her finest solo piece, to date!!. Many people will argue 'Hips' but to me this just shows K's versatility as a guitarist and a songwriter. From the opening what seems a self analytical 'Your Dirty Answer' some great lines "your guitar's a race car, sex is your best friend" and "it's not my fault you don't love me when I'm drunk" It ends on probably my fave K solo song "Listerine" "how'd I trust a band who'd leave me one by one". Are you listening Tanya?

Year of Meteors - Laura Veirs.
Only one word for this 'beautiful'. Tucker Martine's 'soft' production on the rhythm section just lifts this so far above the norm. Allied with Laura's songwriting, excellent guitar work and lovely vocal, such a gorgeous piece.

Golden Ocean - 50 Foot Wave.
K's side project just rocks so much. How she found time to put together a new band, write new material and record a side project in the same 18 months as reforming Muses. Releasing a solo album (Grotto) and having a new born along the way. This lady is not human.

The Victorian English Gentlemans Club - S/T.
Eccentricity at its best. I just love this bunch they are not the greatest musicians in the world though they get better each time I see them. Em's is a very good drummer though. As an album it's one of those 'what the .....' then you just end up loving it.

The Woods - Sleater-Kinney.
Where to start here?
This just blows you away from the first chord to the last. The ladies changed labels and producer and listened to a lot of Led Zep. The result a modern rock classic. I've always been of the opinion that the running order of an album is vital to it's quality. Here it is never been more relevant, from the opening distorted microsecond of 'The Fox' they build it up, then the albums 'ballad' is set centrally to move on again to the 11 minute opus of 'Let's call it love' and take to it's conclusion with 'Night Light'. The running order is perfect.
I'm sure too that when they were recording this they knew it was their last album. You get the impression that they are saying this is how good we are. They walk out of the studio kick you in the stomach and say goodbye. It's a statement that's for sure.

So there you go, I'll have changed my mind in a minute or so though.

Back to the Mercury, though Burial is favourite I don't think it will win (Klaxons last year). I have a sneaky feeling for Elbow or BSP. Radiohead probably deserve it as they are one of the best bands around and at the peak of their powers, so they won't win it. My opinion for what it's worth? I'd give it to Rachel Unthank & The Winter Set a lovely little piece interjected with traditional sea shanty's, it's different.

Grand Architects

2008-07-27T18:19:00.005Z

Telfords Warehouse, Chester, 18/7/08.

A few weeks ago when I was up in Liverpool to see the Sound Movement, I was speaking with Natalie and Nina. Nina told me that she would be playing Telfords in a few weeks so I promised her I'd be there.

I turned up at Telfords just before 9 as it was free before then. Ok I'm a cheapskate. It appeared that GA were the only band on though.

I bought a drink and had a wander round. A guy came up to me and asked if he knew me from somewhere and was I in a band, yeah 30 years ago mate!!. His name was Barry and was from a local band called Frank, must check them out. At about 9.15 I went down to the stage area. Nina spotted me and came over to say hi, she told me they would be starting at about nine thirty.

Grand Architects are a four piece led by Nina on acoustic and electric guitar and vocals. They play a sort of upbeat rockabilly folk style if that makes sense. It is very catchy though. To me it seems as though there four very different characters here. Good musicians too though a special mention to the bass player who is excellent. They seem to gel together well from four corners .

I enjoyed them though.

John & Jehn

2008-07-20T19:07:00.011Z

Night & Day, Manchester, 16/7/08.

As I have previously shouted I love the album by this French duo. When I spotted they were playing the Night & Day I just had to go and see them. They were third on a bill of four bands, headlining were 'Cut of your hands' a band I know about but Na!! Two other bands I didn't know but I was there just to see J&J basically. Got to the N&D to find out that J&J were on third of the four bands playing. I bought a drink and went over to stand by the piano. Whilst fiddling around with my camera as the first band came on, who were, well, crap. I dropped my camera only for it to crack against the corner of the piano. After plenty of swearing and pressing of buttons, it's bust!!

I had to opt for plan b, my shitty phone camera. The second band on weren't much either, another four piece guitar band. Though I will add here the guitarist who had all the posses and moves was able to back it with his musicianship. Band weren't up to much though.

John and Jehn started setting up. John plays guitar on stage left with Jen to the right on keys. To my surprise she also plays some songs on bass. This was very good too as she and John played at and against each other when she came out from behind her keyboard. There was a very good chemistry between them too which added to the show. When they were going to play '20 L 07' John announced that he normally play's this wearing his sunglasses, but couldn't find his. He asked if anyone had a pair he could borrow. Being at the front of a very small crowd I handed John my sunglasses.

I absolutely love this pair. I shouted about their album a week or so ago and having now seen them live I am even more entranced. Yeah ok, Jehn's cute but I fell in love with the album before.........

With my camera broke and having to take pics with my not very good phone. I spotted a guy taking photos who looked very professional. At the end I went up and asked if he didn't mind sending me a few of his shots. So a thank you too Martin for the very good b/w photos posted here.

Laura Veirs

2008-07-17T20:27:00.004Z

Telfords Warehouse, Chester, 14/6/08.

Wasn't sure whether I was going to go to this. I was going to see how my eye felt on the day. Though to miss Laura playing in Chester was an opportunity not to be missed, so I think I always knew the answer.

My friend Tim had asked me get him and his girlfriend Bev tickets too. I'd put a couple of Laura's tracks on a mix tape I'd done for him (Yeah an actual C90 tape!!). He'd liked them and when I told him LV would be playing in Chester he decided to come along, even though she was only solo acoustic.

A bit complicated as they were away on holiday until the day of the gig. I duly got the tickets and posted them to Bev's address, hoping they would get them ok.
I got to Telfords about 7:30 and walked straight in. There were quite a few people there though. They had put out the dreaded seating too, so I bought a drink and took up my customary position on stood on the right. There was no sigh of Tim and after a while I started to wonder whether he'd got the tickets ok.

At about 8:10 the support came on 'Led to Sea' basically a girl called Alex and her viola and looping pedals. I wasn't sure about her, moderately entertaining I suppose. Halfway through her set Tim and Bev turned up.

Laura came on at just gone 9 and opened with a super version of 'Wandering Kind'. It was a very different set than the Night & Day gig earlier in the year. She played more of 'Meteors' than 'Saltbreakers' I think. At the back end of the set she played a bunch of traditional country/folk/blues numbers. Similar to Kristin's 'Murder Mystery and Goodnight' which I really enjoyed. Some she played with a banjo too. She brought Alex out to help with these numbers on viola as well which added to them very well.

Great to see LV playing so close to home excellent as usual too, though I don't think Tim was too enamoured, Philistine!

Album shout - John & Jehn

2008-07-13T21:02:00.004Z

Got hold of this quite a few weeks ago but it was during a period of mass acquisitions. Having waded my way through several albums this has slowly risen to the top.

John and Jehn are a French duo who work out of London.

Imagine if The Kills were from Paris and Marseilles and had spent most of their life listening to the Velvets. They are difficult to classify but off the cuff that's the best I can can come up with.

They have that typical French eccentricity that is either fascinating or annoying. In this case the former rules.

The album comes as two discs, side John and side Jehn. They share vocal duties so it's not clear if each side is written by either member. Each side contains five songs, which makes it a fairly short album. This works in it's favour I think as it leaves you wanting more.

As I say it's difficult to classify their sound, some is dark and fuzzy other songs upbeat and quirky. It is a compelling little item though.

http://www.myspace.com/johnjehn

An Eye for a gig.

2008-07-08T20:59:00.007Z

I have a noticeable lack gigs at the mo. My eye problem has put a slight retreat on gigs. That said there is not much about at the moment. Festival season has started so most bands are gearing up for the circuit . It’s not looking too bad for Sept/Oct but August is pretty barren.
I have two shows next week though but whether I do these is debateable. Though to miss Laura Veirs in Chester will be very disappointing, but my health and general well being must come first.

I go in for my eye operation on Thurs so a lot will depend on how it goes and how I feel generally. I’m starting to feel a bit apprehensive now, though I know there is nothing I can do to influence the outcome. That doesn’t make it any easier though. Were it a straightforward lens replacement then I’d probably be ok but there is the possibility of complications with this as they don’t know how the eye is going to react when they ‘go in’.
Ah well come Thurs teatime it should all be over.

Had a nice surprise in the post today though. As a subscriber to Kristin’s Cash Music project every few months I get a little present sent through, today I received three lovely prints. These are pictures taken by K herself and she is using them as the cover art for the song she records each month.

The Reluctant Fundamentalist

2008-07-02T22:17:00.011Z

A bit of a departure from normal service here, though no agenda was ever set in stone.

I’m going to do a book review.

The Reluctant Fundamentalist - Mosin Hamed.
A story of a well educated Pakistani and his conversation with an American tourist/business man at a cafe in Lahore.
It’s told in monologue and he talks of his education at a top quality American institution and eventual employment in a highly regarded city firm. Between which he holidays in Greece with fellow students and falls under the spell of a beautiful charismatic girl called Erica.

He tells of how he embraces the American ideal, his employers pleasure and regard for his work ethic. He becomes accustomed to the lifestyle his wage can afford, at still a young age. His relationship with Erica is always somewhat distant as she is still mourning the death of her one true love and only once do they consummate their relationship. It becomes apparent she is an emotionally damaged character but his love for her never wanes.

Then 9/11, he finds himself at odds with his loyalties, his reaction to the events and impending war at home between Pakistan and India. He is suddenly shaken by a conversation with a client in Chile that causes him to realize he’s been led to work to bring down his own kind, a ‘janissary’ as he is told. His work suffers as he starts to despise the world he has adopted. Allied to the fact Erica has been inducted to a mental institution and he feels more distant from her than ever.
The inevitable loss of his job due to this emotional debate and a longing to go back to his family and homeland bring him back to Lahore.

He endeavours in his own mind to exact his revenge on America. He gets a job as a lecturer at Lahore university where he infuses his students with his fundamentalism. Though he claims not to be a terrorist himself many of his students have become active. Thought provoking.

This was one of the most enjoyable books I've read in ages. It’s not a long book about 200 pages so is quite a quick read, even for me. I found it compelling and difficult to put down. It's well writen and you find yourself understanding the character and to me an empathy with his emotions.

A really good read.

Half Term Report

2008-06-30T21:59:00.002Z

It’s that time of year again,
'Amsera bryfed'
'le temps vole'
'tempus fugit'.

My first thoughts here were that it has not been a vintage year up to now. But when I start looking at the albums I've discovered and the gigs I've been to it doesn't seem that bad really. I have come across some excellent new stuff.
A fair amount of the good stuff this year has come from the ‘established’ artists I've previously known about -:

BYOP, Death Cab, Nick Cave, Stephen Malkmus, Raconteurs, Portishead, Sons & Daughters, Dukes Spirit, The Kills, BSP. I’ll also put BRS in here even though it’s their first album, I've known of them for ages, also My Morning Jacket.
The best new discoveries this 6 months are the likes of -:
Rue Royale, Angus & Julia Stone, Fleet Foxes, Yoav and Bon Iver (an album I've just acquired). Though a recent acquisition, I’m liking the White Denim album, but I have to give that a few more plays yet.

There seems to a recurrent theme here all of these are what could be considered ’Alt Folk’, perhaps just the way my tastes have gone lately, who knows.
There is also some good ‘alternative’ stuff like -:
New Bloods and One More Grain too though.

If I was to list my favourites at this point it would read something like (though not in order)
Rue Royale
Fleet Foxes
Angus & Julia Stone
Yoav
Bon Iver
BYOP and Scanners.

When it comes to gigs this is a bit more clear cut. Again no particular order -:
The Kills
Fleet Foxes
Angus & Julia Stone
Ida Maria
Kristin’s Paradoxical Undressing (was that a gig???)
Ladyfest in London was a fun weekend too.

On a personal level
Hmm!
It’s been one of those up and down years really. I've had some pleasant times, good trips, two to London unusually. A lovely long weekend in Stockholm too.
My year though has been punctuated by two unpleasant passages, an unusual brief bout of depression. I don’t know what caused it or why it seemed so bad at the time. Also a medical problem with my right (bad) eye. I can honestly say I have never been in so much pain in my life. I will be going into hospital in 10 days to have an op, to which there is no guarantee of restoring the sight I’m told.
I will look at the positive on this and even though it’s a “complicated” case and no guarantee on the outcome the extreme fluctuation in pressure which caused the problem should be cured.
We shall see (hopefully).

Thea Gilmore

2008-06-27T14:10:00.006Z

Telfords Warehouse, Chester, 23/7/08.

Yay! Telfords plays host again to the lovely Thea Gilmore. Last time she was here was not long after the birth of her first child and she seemed a bit nervous and uptight, though it didn't affect her performance as such. I just hoped she'd be a little less 'formal' this time. Chester is her local gig these days as she resides in Nantwich about 15 or so mile away, the posh part of the Crewe conurbation in reality!! sorry to any Creweonions, or Creweoners or, hey I like that last one we'll stick with that.

When I got to Telfords about five to seven they were just opening the doors. Last time here they had put seating in which I've never known before and hoped they weren't going to do it this time. Damn! seating, though this works to my advantage really as I just occupy the right channel left open for people to move in and out and basically stand at the front by myself.

When I walked in and got a drink the sound guy at the mix desk was just putting on a cd. Turned out to be the Fleet Foxes album, on the opening notes I said to him "Ah Fleet Foxes, saw them at the Roadhouse in Manchester last week" We had a quick discussion about them but he queried that they had played the Night & Day as some friends of his were there. I told him no definitely the Roadhouse. In retrospect I think he was trying to catch me out here, why I don't know. He then told me that they had nearly booked FF to play here but before they could fit them in they went stratospheric, well got noticed, a bit, well a little bit. They missed out on them though, I keep thinking how good it would have been to see FF here in Chester.

The support was an acoustic singer songwriter called Pete Du Pom, I think that's how you spell it. He was ok, nothing particularly new but sang his songs with a heart and tried to interact with the audience a fair bit.

When Thea came on she was dressed less formal than last time here. Jeans and a red T-shirt and black jacket. Her T-shirt had the slogan 'Ethics Girl' on which I thought quite amusing, she is from Essex originally. Later I told her I liked her T-shirt. She seemed more relaxed than last time too and looking good it has to be said.
She opened the set with 'Old Soul' the first track off the new album, somehow I new she'd start with that song, don't know why. She then played one of my fave Thea songs in 'Seen it all before' (see video). During a retuning between songs she said she could see alot of faces from Crewe/Nantwich. She then said "where we have just had a by-election, --- which was shit". I clapped and said "too right". It was then noticeable that no one else in the audience reacted to this. This made me angry at first and looking at the crowd it was noticeable I was one of the younger members! I then found it funny, forever the outsider. Just you and I then Thea!

She also had an extra member with her tonight too, as well as Nigel Stonier (husband, producer and general sidekick) was a young girl who played violin, cello and guitar called Fluff. She was an excellent musician too and carried out her duties with great professionalism. She also added vocal support.

She ended her set with 'This girl is taking bets' and 'Are you ready' which she always gets the audience to sing the chorus.

For the encore she asked if any af the crowd wanted to come up on stage and sing along. I must admit I had half a thought of joining her, but when the time came I bottled it and just videoed the event. About 10/12 people joined in and it made for an interesting climax to the show.

After the gig I had a nice chat with Thea and told her she seemed more relaxed this time round. I got her to sign her album cover and setlist too. This is the best I've seen her, even better than the Nottingham show last year.

Vibrant Vivacious Creations

2008-06-22T17:04:00.009Z

Vile Vile Creatures, Bar Fresa, Liverpool, 19/6/08.

As far as I was aware this was V V C's first Liverpool gig. Good to see them trying to broaden their base.

There was nearly a cock up here too as I just decided to pop up to Liverpool and get the last train home (11:45) I sent Sian a message asking what time they were on and who else was playing.
I got a message back saying they were on at 11pm then Flamingo 50 would be headlining. This meant that I stood no chance of getting the last train home, so I'd have to try and stay over. Upon arriving in Liverpool I headed to the hotel I normally use and was able to book in. Because I now had plenty of time I sent a message to my nephew Nathan asking if he was in town and had an hour or so to spare. He'd just got in from work so unfortunately it wasn't viable to meet up.

I decided to get something to eat though. After just ordering a meal I get a message from Sian saying there's a change of plan and they're now playing at 9pm!!

Ahh! ok I should be ok and able to get there about then.

I made it to the venue about 8:45 just as VVC were sound checking. When they had finished we went outside for a chat and a catch up. We had a nice chat and they showed concern about my eye. Sian said she has a new job in Port Sunlight and some of her new work colleagues including her boss were coming tonight. She was a bit nervous about this though. Sian was having the usual trouble with her glasses so I gave her a couple of 'lassy bands I use to protect my camera, which sorted the problem, 'tightly'. Jen was telling me that Julia had done a thesis on Riot Girl and had gone to Olympia to do some research .
Jen also introduced me to Louise from Flamingo 50 saying that she was also a KH fan. Turns out she is more of Tanya Donelly fan and got to K via the Belly/Breeders route. She told me she had seen Kristin play in a Cafe in San Francisco last year too, lucky girl.

V V C were called up to play at about 9:30 ish. Again a set of mostly new material, though they opened with city lights. Again they played FF in the middle of the set. They seemed to enjoy themselves again and talking to Jen later she revealed that they feel they are getting better as a band. I agree, there's a growing confidence in their performances. Sian had little bit of a technical problem but they seemed to get through it ok.

After they had finished they said they were going to head back to Manchester, so off they tootled. I stuck around and watched a couple more bands, nothing worth writing about though. So I too wandered off into the thick scouse air.

Fleet Foxes

2008-06-18T23:28:00.008Z

Roadhouse, Manchester 17/6/08.

I'd imported the Fleet Foxes album a quite few weeks before its release in this country. I could have bought their EP but because of the exchange rate I imported the full album. As soon as I played it, it was evident there was an ethereal quality to the piece. Their beautiful Beach Boy-esque harmonies fit so well within their framework of simple acoustic based folk rock. This may well be the album of the year, certainly top five.

I was undecided to go to their gig at the Roadhouse until I got the album, as soon as I got it I was there. They were going to be playing with a band called 'Beach House' who I'd been keeping an eye on too. A low-fi duo but who sounded interesting and seemed to have a good song structure about them.

The Roadhouse being one of my fave venues allied with the fact that the Crown is just literally 2/3 mins walk away always makes it handy and less hassle. Got to the venue about 7:40 as I really wanted front row on this and was sure it would be a pretty full show as FF are the band on a lot of peoples lips at the mo.
I was 4th in line by this time and a good queue soon was formed. I got in and decided to go as usual Corin's side as what I'd researched this was the best side to see them anyway.
Beach House soon set up, a duo from Baltimore who I'd been keeping an eye out for.
In truth I was a little disappointed in them, Victoria's vocal was not clear enough. Being low-fi it's a big part of their sound. Their sound was much fuller than their stuff that I'd heard and somehow didn't work as well. That said they were pleasant, chatty and gracious and told everybody what a treat it was for them to play with FF.
Fleet Foxes set up they are a Seattle (Pacific Northwest again!) based five piece . Rustic and hairy, they look like their music and their music has their personal demeanor and essence. The lead singer Robin sits on a stool flanked by bassist and guitarist with a keyboardist to the right again and drummer at back. Robin plays acoustic only and bassist erm! who's name I don't know (could check it but can't be arsed) form the base of the harmonies. The guitarist does a great job of playing between the acoustic, keys and the rhythm.
They came over as a very together band all excellent musicians too. A good stage presence and funny with it too. The drummer complained that he didn't feel part of the band 'stuck at the back' and that it was alright for the guitarist as 'at least he was stuck on the side'. The keyboardist at one point asked if Peter Hook had made to the gig.

They played their set with a real humble assertiveness, this is one of the best 'new bands' I have seen in years. The singer has such a sweet lovely voice which just lends itself to be harmonised alongside, and they do it exceptionally well. There are some people asking what the fuss is about here as they are just an acoustic based folk/rock band, nothing new. All I can say is see them live and I promise you'll fall in love with them.

Janet Weiss & The Jicks

2008-06-11T21:09:00.011Z

Manchester Academy 2, 7/6/08.

Wasn't sure whether to come up for this as my eye problem was still there so to speak. Fact was though I wasn't going to miss the opportunity to see Janet. It's been two years since I've seen her (Quasi gig, Roadhouse).
Even though I've never been a huge Malkmus/Pavement fan, saw them many years ago at a festival (I think). I wasn't hugely impressed at the time and wondered what all the fuss was about. Though in fairness I felt they came over better on record.

Got up to Manchester early as I was staying in the Crown in the Northern Quarter, the hotel I normally use for Academy gigs was full.

Got to the Academy early as I wanted to get a good view of Janet. I'd forgotten that Thea Gilmore was playing Club Academy in the basement and the queue formed included Colin and a few other people I know from the 'acoustic singer songwriter circuit' as it were. I explained that I'd already booked my ticket for Malkmus before Thea announced her date. We had a good chat though and it seemed everyone would be at the Chester gig on the 23/6. See you there people.

I got a good position front row with a great view of Janet's kit. The support band were 'Wild Beasts' a band I'd heard about but haven't got round to checking up on yet, I'm so far behind it's unreal. Wild Beasts are a four piece band who sound nothing like the name would suggest really. They were ok, they were multi-instrumentalist too as they seemed to swap after every other song. Though not blown away I think they were a confident lot who gave the attitude of 'this is what we do, like it or loath it'.

Janet in full flight (ok I've posted this clip earlier I know, but what the hell)

It didn't seem long before Malkmus came on and Janet wearing a cute pink ribbon round her waist ? She gave her customary little wave too. I must admit I forget now what they opened with I'm sure it was a track off 'Emotional Trash'. The set was quite varied though some stuff of earlier 'Jicks' albums and some Pavement stuff too. Main body was the new album though. I said before I was not too impressed last time I saw Malkmus but this time round he was really good, the Weiss factor? probably. Janet and Joanna Bolm really provided a solid base for his undisputed talents as a guitar player, good to watch too. One thing I noticed he play's mostly without a plectrum and uses thumb and forefinger. I really enjoyed this gig and will probably feature in the frame come the end of the year.

I probably needed something to take my mind of recent events and this gig really helped.

Eyes who'd have 'em!

2008-06-09T22:23:00.003Z

Saturday night I got home from work with what I thought was a migraine. I took some painkillers and tried to carry on as normal. It soon became apparent that there was something not right here. The pain was getting worse and more of a throbbing of my eyeball. I tried to just lie down and let it settle but it just got worse and worse. By I think 10/11 pm ish ( my time scales may be a bit out as this was not important to me at the time) I was in absolute agony, if you can imagine a throbbing eyeball feeling like it was about to explode backed with a vicious migraine.

By 1/2 am ish I finally gave in and decided to get to the A&E at the Hospital. Ah! it's a Saturday night/Sunday Morning A&E will be packed full of drunken battle scarred arseholes that I just couldn't cope with at this time. The fact here is if I had a gun I would have blown my brains out to get rid of this pain. At about 4 am after actually passing out with pain a couple of times I decided to ring a taxi to get to the Hospital.

I got to A&E and there were no other patients there. The girl at the desk could see I was genuinely in pain and I was seen quickly. They took a look at me and decided straightaway to send me up to Arrow Park Hospital on the Wirral (about 15 miles away). That journey seemed so long and again I think I passed out along the way. When I got there I was whisked to a ward examined and put on an IV drip pumping me full of drugs. As I lay on that bed my whole body was shaking I think a nervous energy was being released. A couple of hours later, 8am ish, a doctor came to me and asked to take a look in her consulting room. After a look into my eye with several instruments and gadgets she comes to a sort of conclusion/diagnosis.

What had happened here was that the cataract in my right eye had burst fluid causing the pressure in the eye to build up and up and up. In the end the pressure was that high it could not cope, hence the pain. The next problem was that the cataract was so dense she could not check if there was any damage or infection at the back of the eye. More drugs and two examinations on Monday and Tuesday followed.

To give an indication here imagine you eyes as car tyres. The pressure in the good one 20. The bad one zooms up to 40/50 then after med's drops to 1. They have to get my right eye to the same(ish) pressure before the can operate on it.
So I'm now back home putting drops in my eye every 4 hrs and going to the hospital every other day till it's right to go under the knife.

This isn't a pleasant experience and the fact that it may take a while to fix is a pain. My eye is not too bad at the mo but still very sore and bruised from it's total shift in pressure. Time and an op are the only healers.

I'd just like to add a thanks to the staff at Arrow Park who were very nice and especially DR. Pennefather (a cute Cheryl Crow type lady) for understanding my pain and discomfort.

Consequently I missed the Land of Talk/ Tape's n Tape's gig on the Sun in Manchester's Club Academy which was a shame, I was looking forward to that one.

Thanks to everyone who has sent me messages of concern and support I appreciate it very much. Sorry too if I freaked anyone out as I know I'm not the only one with eye problems.

Thanks again.

Janet Weiss

2008-06-09T15:11:00.001Z

The Sound Movement

2008-05-31T10:26:00.005Z

Liverpool Sound City, Bumper, 29/5/08.

I'd noticed the Sound Movement were playing in Liverpool as part of the 'Sound City' festival. They sent me a message saying where and when they were playing. They were on early so I had to get up to Liverpool for 7pm. I got to Bumper just gone 7, there was a stage in front set up but I could hear SM sound checking in the back. I walked through and there was another stage in the back. I noticed a running order on the wall and they were using the two stages alternatively as one band finished another started on the other. The Sound Movement were the first band on of the evening and playing on the back stage. They were due to start at 7:30. I went back through to the front bar and got a drink, then Kat came through and came over and said Hi. She also gave a cd of some of their new stuff, which was very nice of her.

The SM played a good set nearly all new material which sounded good too. They actually seemed quite relaxed with the new stuff to. The sound wasn't too bad either. When they finished I could hear a band about to start on the front stage so made my way round. I stayed on the balcony as opposed to going to the floor as a) it was the better view point and b) I'd be able to get back to the 'back' stage quickly. Second band were just a typical four piece Liverpool guitar band just then I noticed my nephew Nathan walk in the door. He soon spotted me and waved up. He came up to say hi and asked if I was there to see Nina's band 'The Grand Architects'?. Embarrassingly I had to say no as I didn't realize they were playing. Then I spotted my niece Natalie (Nath's sister) walk in with her boyfriend James. We all had a nice little chat a hug. It then time for Nina's band to play. They play a rockabilly folk type fusion which actually was very enjoyable. There was a decent crowd watching, though mostly friends and acquaintances. In fairness though they were very good, good musicians too. They set up with drums, bass (who was excellent) guitar and Nina on acoustic and vocals.
Later Nina told me that they were playing Telford's in Chester next month. I made a note of the date and told her I will definitely be there. I took a nice pic Nat and Nina too.

It turned out to be an enjoyable evening and nice to see Nathan and Natalie as we only ever seem to see each at Xmas these days.

Is Chester climbing the musical map?

2008-05-30T22:13:00.002Z

Last night I was chatting to my nephew's girlfriend Nina who's band 'The Grand Architects' had just played at a Sound City gig in Liverpool. I was there to see the Sound Movement and unaware she was playing. She told me they were playing Telfords in Chester in July. We synchronized diary's and I told her I would be there.

I thought I'd just check the Telfords web site today to see if they were listed and just check details really. Imagine my surprise when scrolling down the events in July to be faced with a pic of Laura Veirs. Yes Nina's band is listed on the 18th but four days before is sweet kooky Laura. I starred at this for a few mins, checked Laura's site and myspace. I'm on her mailing list so I was thinking is this right, I haven't heard anything. Nothing listed anywhere but the tickets were for sale and I bought one so YEAH Laura's playing in Chester.

Thea Gilmore is also playing in Telfords next month too (she resides locally now though) so Chester's moving up the music venue map.
So Thea, Laura now just K to complete the great triumvirate! now there's a thought.

VVC/Sad Sheilds

2008-05-26T10:56:00.013Z

Castle Hotel, Manchester. 25/5/08.

(skip this first paragraph as it's just a personal note of my state of mind this weekend)

On the Saturday for some unknown reason I was feeling really down. I mean 'what's the point of life' down. I arranged to take a half day off work. Great idea, what was I going to do get more depressed? get obliterating-ly drunk? Fortunately I didn't do the latter, I just wandered round town. I felt that every direction I looked at in life I was faced with a brick wall. I'm not sure whether it was a good or bad thing that I was off work for the Sun/Mon, sometimes being in work can take your mind off stuff. Anyway VVC and Sad Shields were playing a tea time show on the Sunday in Manchester so I was hoping they would cheer me up a bit.

VVC and Sad Shields were about to embark on a mini tour together and I think this was a bit of a rehearsal to get themselves ready.
The Castle is a bit of basic pub up the top end of Oldham St, I've seen VVC play here before though. I got there about 4:20 ish not sure what time they were going to start.

I told Sian I needed cheering up so she said they were going to just rehearse a couple of new songs but would start properly at about 6ish. One of the new songs was slow(ish) one too!

It was fun to watch them rehearse and it was great to see that new drummer Julia has settled and stamped her own character on the way they play. At one point a couple came into the room and stood at the back. When VVC had finished they went up to the stage area, it was the band who had played here the night before and they had come to collect some of their gear. Turned out it was 'First Black Precedent' who I'd seen a couple of weeks ago. I had a quick chat with them and Jennie said she thought she recognized me from the Manchester gig.
I told Jen I was just going to nip and get a quick sandwich and I'd be back latter.
When I got back there were quite a few familiar faces around.

They played a good set of mostly newish material. The slowish song they played was good, though I don't know the name of it. This was a very relaxed affair as they were treating it as more of a rehearsal for their mini tour.
There was some good banter between the people in the room including Sad Shields. Again though they seemed happy playing together.

Sad Shields played next. I enjoyed these when I saw them last year. They were also down at Ladyfest, not playing but there to give some support to VVC.
Again a good little set though Aaron did spend more time with his back to the crowd playing at Vicki than I remember last time. Laura was on good form though.

Again I think they played a few new tunes, well ones not their cd I have anyway. Again I enjoyed them. They too I think treated it as a rehearsal as there was a fair bit of banter between the band themselves and crowd.
It was an enjoyable afternoon/early evening though. Jen and Sian asked if I could make the Leeds show on the 30th, as it was the last one and a party was planned, Hmmm. I must admit I said I'd try and let them know. As much as I'd of liked to have made it I just couldn't.

Footnote - They did cheer me up a fair bit and at time of going to press here I'm much happier. Strange thing life.

Ladyfest London

2008-05-15T23:23:00.013Z

The Underground, Camden, North London. 10/5/08.
Vile Vile Creatures/Comanechi/New Bloods/Mat&Kim.

Made a late decision to do this . There had been a change of personnel in the VVC ranks. David has left and been replaced by Julia from Fake Tan. Their first gig was in London at the Ladyfest festival on the Saturday night at the Underground in Camden. I know they say they are always a bit nervous about playing in London. This in mind I thought I would go down and surprise them and give them some moral support. Allied to the fact there was a pretty good line up of about 8/9 bands too. I also knew that Julia would be there (a cyber friend) and it would give me the chance to meet her and say hi in the real world so to speak.

My first thought was just to turn up and surprise everybody. I deliberated with this for a while and wasn't sure what to do. In the end I decided to let Julia know I was coming down to surprise VVC and it would be nice to meet up for the first time. I had to put this trip together fairly quickly and managed to get a hotel not too far from Camden via tube, in London terms anyway. I booked a train ticket at not too bad a price either. I was going to treat this one as a double budget gig as all told it was going to cost a fair bit.

So Saturday am I set off for London. I got to Euston about half one got to my hotel, booked in and got back across to Camden by about 2:50 ish. Not bad going really. I sent Julia a message saying I was in Camden and we arranged to meet up at 5pm. I took a bit of a wander and got something to eat. 5pm soon came as time these days just seems to fly by. In truth I was feeling a little nervous while making my way to the arranged meet spot. It's strange that I can be such a strong individual in certain areas of life yet such a wreck in others. I think I knew deep down that this would be ok though and once I got there I was in a semi relaxed feeling, I think!. Next thing Julia was stood in front of me and we said our Hi's and hello's. Julia's friend Gayle soon showed and we went for a drink up the road before going to the venue. When we went in I had a eye out to see if I could spot Jen and Sian but couldn't see them. The venue at first seemed a strange shape but it wasn't until I went to the stage area that I understood its layout. In fairness it was pretty good and in the end I actually liked the place. While at the merch stall all of a sudden a band started playing, and I'd recognise those chunky chords anywhere. Julia and I just looked up at each other and said "they're on". VVC had started so we sped down to the stage area and settled stage right. Immediately it was noticeable how relaxed, free and fresh they were. Jenny seemed much happier and was playing with a freedom I hadn't noticed for a while. Sian was as solid as ever and new drummer Julia seemed settled. Though not as 'quick fire' as David I think she added a different texture to the overall sound. In fact even though David was a supper drummer I think the band 'dynamic' is now better, time will tell. The main thing was that they seemed to be enjoying themselves much more than they have for a while. I was so pleased for them though. There was a lovely moment at the end of FF, which they wisely played in the middle of the set (I think). Sian turned to Julia and they gave each other a high five, because they nailed it.

Next were Comancehi who didn't seem as riotous as the last couple of times I've seen them, still good though.The New Bloods were up next. I was looking forward to seeing these as I've been enjoying their album this year. They have an unusual sound centered around interesting bass lines and rhythms and the lead instrument being a violin, a growing trend these days. They were good and solid as opposed to being dynamic, they replicated their material well but that was basically it.
A duo called Matt & Kim were next on stage. Kim plays drums Matt guitar, ala' 'White Stripes'. I had a really strange feeling that I'd seen these before somewhere either that or a severe case of deja vu. They were quite good and probably the more chatty band of the evening.

The 'headliner if you wish was a lady called 'Angie Reed'. Who I'd never heard of to be honest. As she was setting up the three of us had a bad feeling about her. No instruments just a beat box thingy (presumably) and she was dressed as more of a performance artiste. I think we got about 30 secs into the first 'song' and decided to escape. Julia commented that she is the first headliner to clear a room, yeah a good call that.

We moved to the upper bar and I caught up with Jen and Sian. I told Jen I thought she was much more relaxed and free of a tension even I hadn't noticed. I introduced Jen to Julia and Gayle, it was nice to bring everyone together. Jen asked if we would like to join them for a drink after to which we agreed. In truth this fell apart at the seams a bit as VVC were trying to keep a posse of 12 - 15 people together. So Julia said she would head off so we said our goodbyes. I hung around with them for a while as it was not sure where or what people were doing. In the end I made my excuses and told them I was going to head of back in the direction of my hotel.

As an absolute bizarre twist on this trip it turned out my hotel was literally on the corner of the road Julia lived on. I knew she lived north London but that was about it. I'm still struggling to get over that fact.

I was glad I made this trip, though not something I can afford to do every month. It was good to surprise VVC and great to see them much happier. It was lovely to meet up with Julia too.

Oh! and thank you again Julia for inviting me for a coffee on the Sunday morning before my journey home. That was very welcome as the coffee in the hotel wasn't up to much. Thanks again and hopefully we can catch up with each other again someday.

Violet Violet

2008-05-12T18:32:00.012Z

Fuel, Withenshaw, Manchester. 5/5/08.

A late decision this one. Because I was off the Bank Holiday Monday and also the Tuesday and the fact that the Violet Violet gig at the Star & Garter the following week (I was going to go to that one) has been cancelled. The main reason I originally wasn't going to go was the gig was in Withenshaw. A part of Manchester I don't know and being out the way so to speak was going to be more difficult to get to and away from, especially on a Bank Hol.

After some research it turns out it was not too bad to get too. I decided to up and just play it by ear so to speak. If I could find somewhere locally to stay at a reasonable price, fair enough if not I could scootle back home on the last train.

Anyway got sorted found the venue and found somewhere to stay just up the road.

Got to the venue about 8:10 and went upstairs, was surprised to find the place fairly full. There was a merch desk at the back and I spotted the girls from Violet Violet there, so I went over to
say hi. I told them I was due to see them last year but the show got cancelled. I also said I had pencilled in the Star and Garter gig next week but that was cancelled too!! We had a chat and I bought their new EP and told them I was up from Chester to see them.

There were a few faces I recognised here, I knew them from VVC gigs. First band on were 'town Bike' a four piece of two guys (guitar, drums) and two girls (vocol, bass). I quite enjoyed these they played a set of a late 70's punk sound a'la Rezillos!. I was absolutely positive I'd seen the lead singer in another band somewhere and thought I must ask her later. They were ok though.
Next up were 'First Black Precedent' a trio of a guy on guitar a girl on bass and another guy on drums. Again these were pretty good, a bit more anarchic and off kilter than the previous band. As is becoming more noticeable these days they used violin, Operator Please, Paris Motel, Joan, and the New Bloods to name a few off the top of my head. The girl bassist also did the play guitar with violin bow thingy a'la Jimmy Page. Good fun though and another band to keep an eye on.

Main attraction next Violet Violet a three piece band from Norwich who I've been trying to catch since last year. Forget how I came across them now but I liked their sound and ordered their debut 'Bitchbox' album, from them direct I think. I was due to see them last year but the gig got cancelled.

They opened with the lead song off the album called 'Baby's going down' which features a good riff and a shouty vocal chorus reminiscent of early S-K , well close-ish. Most of the set was between the album and the new EP. 'Spicy Noodle Treasure' off the new EP sounded a good one. A problem here was they had a few sound issues, for some reason their sound went 'wonky' on a few songs but they dealt with that professionally. During one song their mikes completely cut out, no matter what the sound girl tried to do. They made light of this and just treated it as one of those things.

One of the things I noticed about their way of playing was the drummer Fliss. She was excellent and headrocked in a good style, different to Janet though as J rocks from side to side Fliss rocks up and down, she was ace to watch. Good little band this.

At the end I went over to Cheri (guitar) and told her I enjoyed the instrumental song. She laughed and apologised and said it probably wasn't worth travelling all the way up from Chester for. She then added "Ah! we'll come and play in Chester", I said "there's nowhere to play there really" to which she added "we'll come and play in your living room then". I laughed and said "ok, I'll give you my address later.

I'm glad I made the trip to this in the end as it was a very plesant night.

Angus & Julia Stone

2008-05-02T22:10:00.009Z

Manchester, Academy 3, 25/4/08.

This is just typical me, I wanted to get away from work early to catch the 5pm ish train. There was no way though so I had to aim for the 5:53. Things just backed up on me and I didn't get out till 5:35. I made a dash for the station and as I was buying my ticket the train was pulling out.
Damn! the next train was at 58 and I had to run right over to the other side of the station but again I pulled out just before I got there. I was now knackered. The only thing I could think of was to get myself to Crewe and hope for the best. So again had to run across back to the other side and just caught the 6pm Crewe train (2 mins late thankfully). When I got to Crewe I stepped off the train as a train was pulling to the opposite platform, The 7 min delayed Manchester train. I now faced another problem this train bypassed Oxford Rd and went straight to Piccadilly. I pulled into Picc'y at about 7:09 and had to again get to the other side just as a Blackpool train was pulling in, next stop Oxford Rd. I leaped a bus on Oxford Rd got to the hotel and managed to get to the venue at 7:35. My lucky traveller tag is still in tact!!

Anyway to main point here, jeez I was rambling a bit there. I've really loving the A&J Stone album so was looking forward to seeing them. It had a good feel straight away as they had decked the stage out with plastic flowers/vine and cardboard figures as featured throughout the album sleeve.

The support were interesting, Paris Motel they were playing an acoustic show here but were quite entertaining. I'd like to see them with the full band.

By the time A&J came on the place was pretty full with a nice atmosphere.

The Stones (!!) are sibling folk duo from Australia they swap vocals, I think the rule of thumb here is whoever writes it sings it. Julia has a really interesting voice too quite high pitched and squeaky, beautiful with it though.

Angus plays strictly acoustic guitar but Julia will also play keys and on some songs trumpet.

They are backed by a rhythm section who were very good it has to be said just a bassist and a drummer who didn't steal any limelight from A&J but were solid enough to notice.

The set comprised mostly of material from 'A Book Like This'. I really enjoyed them their sound was a bit more upbeat than the record which made some songs like 'The Beast' and 'Like a boy' sound good and rocky. During some songs Julia who is a flooky, barefoot, Antipodean temptress dances round in a strange way that is captivating.

They played a 'request' encore and finished the evening with 'Wasted'. In all a super little show and a good responsive crowd made this probably my second fave show so far this year.

The Kills

2008-04-27T20:19:00.014Z

The Kills, Manchester Academy 3, 19/4/08.

Was really looking forward to this one as the Kills new album is the best album of the year so far as far as I'm concerned. I found their previous two though good a bit patchy. They do have a good live rep though.

Usual shenanigans left work, got train, dumped stuff in hotel and got to venue. With it being a Saturday it was packed round the Academy area. The present 'teen' sensations The Courteeners were playing next door so the place was swarming with spotty oiks (no offence) there was also a metal band who's name I forget now, no it was I Defy, well remembered. Doors opened in time and I got up to Academy 3 (top floor) handy enough to secure a spot Corin's side where Alison would operate.

I also couldn't remember who the support was but spotted the show times list on the wall to the side of the stage. These New Puritans which was a great surprise, I've been listening to their album and find them one of the better breed of up and coming 'new' bands in the country. They do have a good live reputation as well. I was not disappointed they were super my only gripe they only played about 20-25 mins!!. Enough time to really impress me as a live band though.

The Kills were set up with a very minimalist stage just a couple of guitars and a small drum machine/gizmo type thing set up on an amp to Jamie's right.

When they came on and opened with U.R.A. Fever I knew then this was going to be a good one. I was literally leaning on Alison's right monitor and allot of the time she was foot up on it singing and literally right above me. Alison has a superb stage presence she prowles the back like a caged lioness turning her head to keep looking at the audience. She circles too again with a cat like prowess with a look at the crowd that just says I'm going to eat you' I'm not sure whether I was scared, turned on or just magnetically drawn by this. I think a mix of the first two. Fact is she is just awesome to watch.

When she played guitar she played with the full hair over the face look and often played again at the back with her back to the audience.

There was an obvious sexual tension between Alison and Jamie with Jamie's celeb (shit I hate that I've used that word) girlfriend not on location I think they played on it.

Their minimalist stage set up allied with such great stage presence of both and a sexual magnetism made this an fantastic gig. Their execution of their material was superb, their new album (their third) is the best album of the year so far imo. I urge anyone with the chance to see this pair live, do it.

The Breeders

2008-04-23T20:59:00.007Z

Manchester Academy, 14/4/08.

I took a half day off work for this as I wanted to take my time and not rush really. My mate Tim was coming with me as he is a huge Pixies fan. Tim was going to travel straight from work in Liverpool and we'd arranged to meet in Big Hands next to the academy.

I got up to Manchester mid afternoon booked into the hotel and went up into town to get something to eat. I got back to the Academy area about 7 ish and went to Big Hands bought a drink and took my book out and read whilst waiting for Tim to turn up.

Tim turned up soon and we had a quick drink and headed off to the venue just gone 7:30. We walked straight in to my surprise as I knew the show was sold out. I wasn't sure who the support was though I did check it a week or so back.

It turned out to be Jim Noir a Mancunian singer/songwriter. I have his album from a couple of years back and liked it alot. He mostly played new material here though and I only recognised a couple of songs. Good opener though and I must check out his new stuff more closely.

The Breeders seemed to take a while to come on and Tim and I had parked ourselves on Kelly's side. I took a couple of photos of the stage just to test the light etc and got told straight away by a security guy to stop taking photos!!. What? erm why? an argument ensued and the fact was no photos allowed. Strange, but there you go. So here's a shot of the back of Kelly's gold Les Paul.

They played a pretty big set and in Pixies style rattled through the songs without barely a break or any banter with the audience. The main talk was between Kim and Kelly themselves. There was something here that was lacking, I don't know what it was but I just wanted them to produce 'more'. I don't think I'm totally sold on the new material yet and perhaps that had something to do with it. In truth I didn't enjoy them as much as I wanted to. Tim enthused about them, naturally and I agreed to be polite. Saying that Tim's view was that he thought they were better than he expected with mine being not as good as expected I suppose it comes down to ones 'expectation'.

I enjoyed the evening as a whole though, I left Tim in Big Hands at about 1am as I had to get the early train back to work. Tim left there about 1:30 ish apparently and didn't get to work 'till 12:30 the next day. Oh to be a civil servant.

BRS

2008-04-16T21:36:00.005Z

Liverpool, Barfly, 13/4/08.

As we all know I'm a big fan of Blood Red Shoes and have been since their conception and very early shows. I've seen them grow from baby faced shy performers into erm! baby faced more adept rock/grungy specialists. Last time I saw them was here in Liverpool and it was a full crowd and a good rock out show so I expected pretty much the same here, also on the eve of the release of their debut album.

I got to the Barfly about 7:20 and to my surprise there was nobody there. After about 5/10 mins they let me in.

The place filled a bit fairly soon but nothing like the crowd I'd imagined, strange. First band on were a French band called 1984. They were ok too a good Gallic rhythm to them. They ended their set by announcing "if you like us you can buy our cd, if you don't then by our cd so we can get back to France". Quite amusing that.

Next band up were a local band called 'The Hot Melts' again these were ok. Slightly more punky and abrasive than the previous band.

The singer/guitarist was the main focus here as he was the one who leaped about the stage. The rest of the band were fairly static, ok though.

By the time BRS were due the place had not filled much more and I was quite free at the front to move about. Strange that as I say last time was a full packed up the front.

Firstly, not sure on the new hairdo Laura Mary! must have had it done for the release of the debut album.

They played a set mostly packed with songs on 'Box of secrets' 9 out of 11. They seemed a bit muted tonight. I think they are a band that does feed of a lively crowd, this was not a lively crowd. That said they were pretty good Stephen was as energetic as normal and drove them well. Laura Mary? not on her best tonight, though I can't say she played badly. I think she was just a bit tired. They have as Stephen put it on their web site "we're now a real band"

Rue Royale

2008-04-11T20:37:00.002Z

Rue Royale, View2 Gallery, Liverpool. 4/4/08

I'd noticed RR were playing a small show in Liverpool and with loving their album decided to pop up and see them. I got off the train at Moorfields, oh my god! I'd forgotten it was Aintree Races, Grand National weekend too. Liverpool was swarming with drunk, loud mutants. I had planned to get something to eat before going to the View2 but there was no chance every eatery was full to the rafters. I ended up eating at an Indian on Bold St, which was crap.

Got to the View2 just gone 8 and there were quite a few people there though mostly the entourage of the 4 artists playing. As usual they were late starting and the first two acts who were straight forward acoustic singer/songwriter types played to a room full of chatter and laughter. This pissed me off a little as I was trying to listen a little more attentively than the rest of people there.

By the time Rue Royale came on it was 11pm which meant I had 10 mins before I had to scarper for the train. I managed to catch 2 songs and very good they were too, I just wish they either started earlier or I could have stayed longer. I ran out at 11:10 onto the throng of now even drunker mutants and got my last train home. This was a shitty night, see they don't all go great.

Album shout - Rue Royale

2008-04-09T22:00:00.006Z

Loving this little thing. An alt folk duo from Chicago, they are a boy/girl duo. The guy plays acoustic and a single bass drum and main vocal while the girl fills with percussion and vocal harmonies.

It's quite sparse but full of subtleties. It's centers around the acoustic melody and the vocal. The melodies are almost James Tayloresque at times. Ok that's a big a shout but that's what I'm hearing at the mo. Some songs are filled with some backing piano but it mainly relies on the acoustic and vocal melody. It's a lovely piece of work, though I appreciate it will only appeal to a certain audience. Saying that a good album is a good album no matter what genre. Fact is it's a belter.
Just listen to 'Tell me when you go' or 'Parachutes and lifeboats', if you don't like those songs then you 'aint a music fan.
http://profile.myspace.com/index.cfm?fuseaction=user.viewprofile&friendID=64796311

Stockholm and Lightspeed Champion

2008-04-03T21:11:00.015Z

After a good evening watching K I set off about 7:15 am to get to Heathrow and fly out to Stockholm. Journey went as sweet as a nut, as per usual jeez I'm a lucky traveller. After it being -14 and covered in snow the week before again my luck was in as the weather was beautiful. OK it was only 5-6 degrees and a bit chilly on the exposed waterfronts but the sun was cracking the slabs the whole four days. Again this is a total phenomena how I manage to get good, almost freakishly good weather wherever I go. Here's some more pics:-

http://s177.photobucket.com/albums/w236/slightmalecoyote/Stockholm%2003-08/

Lightspeed Champion, Debaser, Stockholm, 28/3/08.

I'd spotted that Laura Marling and Lightspeed Champion were playing at a club called Debaser (a Pixies fan?) on the Thursday and Friday nights respectively. I found the club late as it's parked under a big bridge linking Sodermalm (south? is that right H?) to Gamla Stan (Old Town). Laura Marling had sold out on the Thurs so I enquired about LS for the following night. Not sold out so if I got there in good time tomorrow (Fri) I would be ok.

Lightspeed Champion is one of the guys who used to be in Test Icicles, one of the more interesting band names ever, I dare you not to read another word.

I got to the club about 8:10 after having a lovely meal in a little restaurant in the old town, Swedish Herring followed by some Lamb I think, bloody expensive though!. I got there and paid ok on the door. Debaser is a small club similar to the Roadhouse in Manchester to give a point of ref. The stage was a good height, stomach level but had a curtain pulled across. I bought a drink took a seat and took out my book as I was told LS was not on till 10.30 - 11, the support? 'there isn't one'. I just sat and read my book and the time soon passed, about 10.20 the place was filling nicely so I took up residence at the front of the stage blah - blah - blah.

At about 10.50 the curtains just opened and LS came on. I must admit I wasn't sure about his record. It has some good tunes on it but I thought the material would translate better live. The material is nothing like the Test Icicles stuff this is more tune full and song based. His band consisted of a bass player a violinist and a cute lady drummer. First thing to note he was an excellent musician and played most of the set on guitar but some songs were played on keys. Even though I was up to speed on the material it all came across well live.

I got chatting to a Swedish lad next to me before he came out for the encore and he asked if I would introduce him to the band, Yawn!.

Anyway I had an enjoyable night and left soon after the show and headed up into the Old Town.

Kristin in London

2008-04-03T09:32:00.016Z

Paradoxical Undressing, QEH, London 26/3/08.

As I said I was looking forward to this show. I travelled down by train and got to London about 2ish. I got across to Victoria and to my hotel and out by 3.30. I decided to head towards the south bank and check the venue and get something to eat. The fan meet up was to be around 6 - 6.30 in the venue bar.

(photo by Joseph Lee)http://www.flickr.com/photos/josephlee/

I got something to eat in a nice little restaurant and headed back to the QEH. I got there about 6.20. It turned out there are two bars in the hall and some people were in one whilst the rest in the other.

It didn't seem long before they called for the show to begin and people started filing in and taking their seats. I had a good seat in the second row on Corins side. One thing I found strange was the fact that I had my messenger bag with me and I was not searched in fact there seemed no security whatsoever. I thought security these days was supposed to tight, especially in the heart of London.

The stage was very bare just a stand for K's notes, a mike stand and one for her guitar. Kristin came out wearing completely white which was a good contrast against the redwood stage. (photo by Michael)http://flickr.com/photos/hooberrydooberry/

It was an interesting show K mostly just strummed her guitar whilst reading lines from diary. She occasionally sang full songs of which 'Hook in my head' was a standout. At times I found myself closing my eyes to concentrate on the words. K sometimes has an unusual rhythm to her writings. At first it took me a while to get into the way she presented it. I actually found the the backing projections although interesting a little off putting. Taking in the the prose and the music was enough entertainment

It was a real enjoyable experience though.

The Guardian did a review-http://music.guardian.co.uk/live/story/0,,2268900,00.html

A thanks to Joseph and Michael for the use of their photographs, thanks guys.

K's Convention

2008-03-25T20:58:00.002Z

http://scotlandonsunday.scotsman.com/features/Undressing-in-public--Kristin.3832792.jp

Well, I'm off for a week firstly to go to K's convention in London. Really looking forward to this, my music hero(ine) reading and playing. Link above. Will also meet up with some other K fans.
I may be attempting to preach to the unconverted here but please if anyone who reads this take a look at how interesting a human being this lady is.

Then I shoot off to Stockholm for 4 days just a break and a look round the city and take in it's gallery's and culture. It's bloody cold over there at the moment though, but that I'm ok with, it's part of the fun.
I hope to take in a gig while I'm there Laura Marlin and Lightspeed Champion are playing so I will do one of those I think.

Shite! I think I should pack some stuff.

Ida Maria

2008-03-24T23:09:00.008Z

Night & Day, Manchester, 23/3/08.

I haven't got time here to get a full post up before I go away on hol for a week so I'll just post a few pics and edit when I come back.

I'll just say that this is the best gig this year so far. Ida Maria is a wonderful slice of Scandinavian eccentricity. Imagine if you poured a bottle of wine down Bjork's neck and said go for it girl. I give you Ida Maria.

S-K PDX 1 & 2 Footage.

2008-03-20T22:00:00.003Z

Sometime last month it emerged that there was DVD footage of the two final S-K Portland shows. Kt on the S-K board had kindly put them up for download through a torrent site. For some reason I can't get torrents to work. I need to spend some time working out how and setting my computer to work these things.
Anyway I asked Kt if she could send copy's and she asked Kori who was downloading them to send them on to me. So thanks to both you lovely people, I got them a week or so ago. I think it was Jeff who described the discovery of these as the "holy grail" which amused me. I think for anyone who was at these shows it was not a bad description really. Fortunately the footage is shot from the back of the Crystal Ballroom so there's no embarrassing footage of myself or the main 'hardcore' fans, phew!. Though I think I can spot myself and other people at times.

Having watched them now a couple of times it's really noticeable how different the two shows were. PDX1 was the total rock out one, it sure was a very lively gig up the front there. The ladies did totally rock out this night. Where as PDX2 was the more sing-along play what the people want to hear type show. Though again I do remember it being fairly lively at the front. Of course the end does capture the emotional embrace the ladies had at the end and you you can sense the the emotion in the audience as PDX2 gets towards the end.

All said it's very interesting to have the full shows on disc, they bring back some great memories and a tear or two.

Operator Please

2008-03-14T21:12:00.009Z

The Roadhouse, Manchester 5/3/08.

I made a bit of a cock-up here when I booked to see OP I automatically booked to stay at the Crown. It wasn't till later that I realized it was an early 6pm show, therefore plenty of time to get the train home. Never mind. It was lucky I was off work or else I'd have struggled to get there. Anyway with being off I was armed with a big shopping list and set off early afternoon to purge Piccadilly Records. Unfortunately or luckily for my bank balance I could only find 3 albums I wanted. With it being an early show I decided to eat after as there would be plenty of time.

There was no queue coming up to 6 so I decided to pop into a little pub I know in a side street opposite the Roadhouse. As I was coming out I heard a "hey hi" it was Nick the singer with Politburo who I chatted with last month in Chester, small world.
By the time I got to the Roadhouse there were about 10/15 people waiting on the staircase leading down into the Roadhouse. A very young crowd too which made me feel older than normal. By the time I got in after everyone in front of me being I'd for age I secured a spot front stage (between Corin and Janet).

The support band were a band called The RGB's an electro punk/dance troupe fronted by three girls and backed by a drummer. In truth they were ok the lead singer did overplay it a bit for my liking. They seemed a strange support for OP though.

Operator Please soon set up, I saw this Ausie five piece last year in Liverpool. I thought then they were worth keeping an eye on. They're a very young bunch all teenagers. Led by Amandah the guitarist and lead vocal and plays a lovely Rickenbacker guitar.
There was a decent crowd not too packed in but full enough for a good atmosphere. They played a quick fire set that included an excellent cover of "whip it" which was lost on the majority of the young punters. The highlight though was the previous single "get what you want" which they really seemed to rip into and includes a nice little riff from cute violin girl. All told a good little band this.

Land of Talk/Menomena.

2008-03-08T21:33:00.008Z

Korova, Liverpool, 1/3/08.

Was looking forward to seeing LoT again, even though it was the Korova, not my fave venue. They were playing with Menomena a band I'd come across a while back and was still undecided about to be honest. They're from Portland though so they had that on their side.

For some reason I struggled to find somewhere to stay, my normal dive was fully booked. I ended up getting a place about 3 miles out northwest of the city center. I was off work and with it being a Saturday I pre-booked a table at my fave French restaurant, so went up about 2pm. Got sorted and got to the restaurant about 7, had a nice meal too.

Got to the Korova about quarter to 9 and enquired what time the bands were on. To my surprise I was told they would be running on time tonight and LoT would be on by 9:30. There were a few people about but nobody I knew. It wasn't long before Chris and Eric came out and started setting up, no sign of Lizzie yet.

She soon came out they introduced themselves and opened with a new song. I don't know the titles of the new material so it's a bit tricky at the mo. Last time I saw them their set was 66% new this time it was 75% new. It all sounded good though, the song they played after "Stateside" stood out. I tried to ask Chris after the name but forgot which song it followed, dork!. Lizzie in fairness was not a well lady, she was suffering from a bad cold. During one song she suffered a

coughing fit and had to skip a line of vocal, she kept her guitar playing up to scratch though which was admirable. I hadn't noticed before but she has a cute way of standing on her toes with her left leg while playing, and sort of dancing on it. Again they were super though and the new stuff sounding good.

The main band was Menomena a three piece from Portland. I'd heard their stuff and wasn't too sure about them to be honest, so seeing them live would make my mind up I hope. First thing is they're fairly hi-tech with a lot of gadgetry. The lead singer switches between guitar and sax and there is a lot of different sounds to their songs.

The three of them are quite multi-instrumentalist, though I didn't know their material I quite enjoyed them. I can't really pick any songs that stood out but their big sound was enjoyable and sort of washed over you at times.

After she finished Lizzie said hi and apologized for having pneumonia. I was talking to Chris later and asked him how the album was coming on. He said it's as good as finished and they'er just looking for someone to release it. Looking forward to that one, the year needs something.

Dirtblonde/Sheepy

2008-03-02T21:34:00.007Z

Liverpool, View2 Gallery, 22/2/08.

I came up to this little event because Lonelady was billed to play but I found out the nigh before she had to cancel. I decided to travel up anyway.

The venue was a gallery on Mathew St which was initially difficult to spot. It was billed to start at 8pm and I got there about 20 past to told they were starting at 9. I had decided not to stay over but to get the last train home at 11:30 even though I was off the weekend.

I got back just gone 9. The bands had set up just in a room in the gallery. It was all very civilized with some tables and chairs set out with bowls of snacks on the tables.

First band up were called "Heads of State" who were ok. They set up with the vocalist set well stage left almost separate from the band. They played some chunky guitar tunes only prob was the drummer who kept having trouble with his kit, but got through it. They did play a PJH cover though "This is Love".

Next was a young lad called "Sheepy" just him a guitar and a drummer. Again nothing to completely write home about but in fairness I don't think he's played too many shows, I maybe wrong. There was a woman at the back singing and clapping away, obviously his mum. This was quite amusing though. He gave it a good go and I believe he is looking for others to form a band.

Next up was a singer/poet the same guy that sang lead with the first band. He pulled a chair up and said "I'll sit down being as though everyone else is". I was over to the left of the room and standing so I just said "I'm not"he looked over at me turned his mike towards me and was about to try to say something condescending or vaguely amusing but looking at me he decided against it. Another case where I think I may have been thought of as "industry", this amuses me. He was quite good though he did a couple of poems and some accompanied with guitar.

Dirtblonde came next, I was speaking to the girl before the show saying I couldn't find their myspace page. She informed me that they don't have one!! "not every band has one you know". Sorry I mentioned it! Anyway Dirtblonde stepped up a two piece bass/guitar combo (he! always wanted to use that) no drummer. They made a good noise and used some looped beats, I think! problem here was the room was echo'y. They were ok what I heard as I had to leave after 3 songs to skootle for the train. Ah well, perhaps they should get a myspace.

One More Grain

2008-02-27T23:46:00.003Z

FIRST ALBUM SHOUT OF THE YEAR!

Really liking this album, a band from London called One More Grain. Forget where I picked them up from I think I just came across the name and myspaced them. I ordered their album almost immediately though.

To describe them, I would say think of the Fall with a horn section. Yep as weird and unlikely as that sounds it actually works. Or think Mark E Smith/John Cooper Clarke fronting Pram, ah! yes that's more on the mark I think. Anyway whatever I like it. So much so I've immediately ordered their first album.

(click on the post title to link to their myspace, I think I'm getting the hang of this interweb thingy!!)

Jenny Hoyston/VVC

2008-02-23T21:41:00.014Z

The Red House, Sheffield, 14-2-08.

I didn't realise 'til late on that the Creatures were supporting JH in Sheffield. I was not sure whether to make the journey until it occurred to me a week before the event. Thus nowhere to stay had to take a days hol in work and planning to be done in a short space of time.

Anyway set off to Sheffield early-ish as I had to find accommodation when I got there. The only place I've stayed there is the Travelodge, which I got a good deal last time of £26 now they're quoting standard price of £44.

I also had to (as is my geeky way) find the venue and source somewhere to eat. It being Feb 14th the later was not going to be straight forward. Anyway got to Sheff about 2pm and phoned a pub I'd found that did accom, no rooms though they did recommend another place so I made my way there with a stop off at the Tourist info on the way to see if they could point me anywhere. Long story cut short found hotel in the north end of town, which was handy for the venue though more than I wanted to pay but not too bad.

Next task find venue, The Red House a pub on the northern edge of the city center, map in hand I went off to discover. On my walkabout I found a nice Indian restaurant to eat in, I figured this the best option on such a day. I found the Red House ok though a little off the beaten track, I popped in had a drink and a chat with the guy there about stuff and more stuff!!.

I had a wander round to get my bearings properly and decided to go eat fairly early.

Anyway got back to the Red House about 8:20 ish, shortly followed by the Creatures who had driven up from Manchester, and were going to drive back!.

There were four acts on JH and VVC being the main two. The first act up were a girl duo who were a sort of rap act who sang their songs to a backing track. In fact I quite enjoyed them and I admired their guts for getting up and giving it a good shot.

Next up were a standard three piece though their material was interesting as each song lasted less than a minute, ok I didn't time this but it's a good guess. Wasn't too keen on these though they were just a bit too screemy and incoherent for me. Added to the fact that the drummer kept having kit problems.

VVC came up next. Jen was wearing a white T, don't think I've seen her wear anything other than her black. Obviously dressing for occasion eh Jen? Sian had sorted her glasses out by wearing a "lazzy" band sort of thing that prevented them from falling off every now and then. They played a similar set to last time but included City Lights. They again opened with the instrumental Ricochet and included "New Song" obviously still without a title. Main prob here David had loads of kit probs, at one point one of his cymbals literally cracked. In true rock'n'roll style he just ripped it off and threw it on the floor in front of Jen and Sian. Amusingly Jenny Hoyston stepped up to stamp on offending cymbal and try to flatten it back to shape. I should have taken a photo of that in retrospect, but sadly didn't.

Jenny H then started setting up. I was stood on the left of the room and she came over and started getting her guitar from its case which was right next to me. I said hi and introduced myself. I announced that we have a mutual acquaintance in SF. We had a quick chat then she carried on setting up. There was just her and a drummer and I enjoyed the set she played though I didn't know any of the material. I remember thinking to myself at one point just what a quality musician she is and why is she playing a small pub in the arse end of Sheffield on a dank Feb night. Glad she was though.

After I was chatting with Jen and Jenny came over I explained to her that she was responsible for me meeting the Creatures due to the photo I took at the EE gig in Leeds two years ago now I think. Anyway we all had a nice chat for a while and some photos were taken too.

10 - 4 Me.

2008-02-21T18:56:00.002Z

How good is this idea?

Kristin has come up with this super idea that will, and has, sent her hardcore fans into a frenzy of spending $50. It's called 10 - 4 you.
http://www.throwingmusic.com/catalog/product_info.php?cPath=30&products_id=105&osCsid=6257b49ffcebea999b113797dceb0f9c

Basically she's given a list of 200 of her songs (KH and TM) you choose 10 and she records them solo onto a cd. She introduces the cd with "your" name and also signs it to you. Wow!
As a hardcore K fan this is just awsome.
Ok $50 may sound like alot of money but with a decent exchange rate at the mo it's under £30. In my opinion a bargin.
It took me too long to settle on a 10 so I missed the first wave of orders. Damn!

I'll hopefully get the next order window K puts up.

Enon/Ill Ease

2008-02-12T00:14:00.005Z

Faversham, Leeds, 7/2/08.

This is the itinery I've been thinking about doing for a while ie: up to Leeds, gig, get 3:38 train home arrive in Chester 7:15, home and climb into bed at 8am.

WHY? well quite simply, because I can coupled with a pervese desire to just travel at strange hours.
Ok that aside got the train to Leeds with the aim of arriving about 4ish. Got there about 4:20 and decided to go and check The Faversham as it was a venue I haven't been to before. This I did and found it within a 15 min walk from the station. I walked in and thought I'd get a drink and and have a look round and source best view points etc (ok I'm getting just a little too geeky now, note to self.). Had a look round then decided I needed to use the loo, so walked over and placed my drink on a table next to a couple chatting away. I asked if they would just look after my drink while I went to the loo I then noticed it was Elizabeth Sharp (Ill Ease) so I said hi and that I saw her last year in Leeds. "Thanks, thats cool" came the reply in a New York drawl.

The plan here was to wander round Leeds go to gig then go for something to eat in an Indian or Chinese restuarant open till 2ish. Then make my way back to the station. Change of plan. I was hungry by now and as I'd only eaten my customary 11am banana I decided to eat in an Indian restaurant I know in the city center, which is very good. So I did, bloody good to.

I got back to the venue about 8:10, not too many people about but I had the feeling it was going to be attended ok. The first act was not much to shout about a guy who ran between varying instruments and looped the results. Not too bad but the songs didn't come over too strong.

Next up was Ill Ease of course. She seemed alot "bouncier" than the last time I saw her. Though it was a familiar set I think she seemed to enjoy her space more this time round. At the Brudenell last year she played on a space in front of the main stage, this time she had a full stage to perform in. Again she was back and forth from drums and guitar using loops, as a lot of people seem to be doing these days. Again I really enjoyed her set and detected a couple of new songs in there too.

Enon were next. I came across these last year and their Grass Geysors album was one of my fave discoveries of the year. They opened up with the first song off Geysors "Mirror on you" which was at full throttle. They played two or thre really upbeat numbers and really delivered themselves at the audience, which was nicely full by now. As often the case with US/Canadian acts I see the level of musicianship was excellent. Standout songs were Sabina and Mr Ratatatatat. They finished an explosive set with a song I did not know and were immediately cheered back on for an encore. I really enjoyed Enon and glad I made the trip to Leeds to see them and Ill Ease.

So after a good gig I slipped out into the Yourkshire night until 3:30 am. Time seemed to go quite quick really I found a bar open till 2 then made my way back to the station. I sat down and read a book for the last half hour.

On the left Leeds station at 4:30 pm and on the right 03:30 am.

Laura Veirs (Solo Acoustic)

2008-02-08T21:46:00.000Z

Laura Veirs/Your Heart Breaks - Night & Day, Manchester, 4/2/08.

Bit of a dash from work and got to Manchester about 10 past 7. I took a walk past the N&D to check time for doors and see if there was many people about. I had a feeling this would be a well
attended show. As I thought the main people I expected to be there early, Colin, who I haven't seen since the LV gig at the Academy last year. Some other familliar faces too who I know but can't put a name too.

I got told doors were 7:30 so I dashed round the corner chucked my stuff in the Crown & Anchor and got back to the N&D about 7:40 just as they were opening the doors. The prime spot tucked by the piano was secured by the time I'd bought a drink so I went center/Carries side. I chatted with Colin and other faces for a while and it didn't seem long till Clyde from Your Heart Breaks (YHB) came on. They were the suport at the Academy last year on Laura's main tour. I remember quite liking them, enough to by their cd. It would be interesting to see how Clyde, who runs Laura's web sites by the way, come over solo.

Again I enjoyed what she did, she has a pleasant quirky nature too that came over well. She used loops to create a fuller sound at one point too she put a mike in her guitar case and drummed on the top and used this as a backing beat, neat!

There was a good crowd here as I'd suspected and Clyde was I think a little shocked as to how attentive and willing to join in and interact with her. A good start to the evening.

Laura soon followed and got a great reception and again I think a little surprised at size and eagerness of the crowd to interact and sing along. She opened with "Wandering Kind" which I wondered how she would translate to solo acoustic but it was great again she used some loops to fill the sound. Though halfway through she appeard to have problems with the lops in her moniters. It sounded ok to me but she kept asking the sound guy what the problem was. She coped ok though.

She played a great set and had a good banter with the audience, mostly stuff from Salbreakers and Meteors. Though she did from time to time ask if the sound was ok as she wasn't getting it properly through her moniters.

For the encore she just asked for any requests though some songs requested she said she couldn't play without her full band.

Laura really enjoyed herself here I think due to the fact there was a good knowlegable audience who were there on a Monday night in Feb to have a good night.

I had a quick chat with LV after and Clyde took our picture, rubbish one of me as usual.

Politburo

2008-02-02T21:33:00.000Z

Politburo - The Frog & Nightingale, Chester, 31/1/08.

Just like busses you get one gig then several come along at once.
Politburo are a Manchester band I'd heard mentioned on a few occasions but have never caught them live. I spotted they were playing a pub gig in Chester this Thursday so off I tootled to the Frog.
I got there about 8:20 as I wasn't sure what time they would start. I've only seen a couple of poor quality vids of them so I wasn't too sure what they looked like. I bought a drink and had a scout round to see if I could spot them, hmm! no.

I went and stood near the door stage right as it seemed the best view just as three guys came in, two carrying guitar cases, Politburo I think. They put their stuff down by the other bands gear then as they turn round one guy spots me, smiles and comes over and says "Hi! how you doin'". Erm! does this guy know me I'm thinking. Anyway I ask him who's playing tonight and he says "my bands playing". "Who is?" I ask. "Politburo" he says. "Ah! good it's you lot Iv'e come to see". He then says "I've seen you at Vile Creatures gigs, you know Jenny and Sian don't you?" Starting to make sense now. "Yes" I say. The other two then come up and Dominic (guitar) introduces me to Nick (vocals) and Steve (bass) by saying this guy knows Jenny and Sian.

Turns out they too are good friends with the Creatures. They tell me they'll be playing an acoustic set tonight as their drummer is ill. We have a good chat about stuff, mainly the Manchester music scene.

A band then steps up and sound checks and starts playing, I didn't catch their name thank god cuz they were crap. Then Politburo step up and explain the vacant drum seat. I dont know their material well as I've only heard their myspace songs. So I concentrated on their abillity as musicians and Nicks vocal. They were very good and caried the acoustic set off well considering it was their first attempt. During one song a dude from the audience stepped up and asked them if they wanted in to fill in as a drummer to which they declined but let him play bongo style for one song.

In all I was impressed with them and told Dominic later that I'd get up to Manchester sometime and see them play a full sound set.

Vile Vile Creatures @ The Night &Day

2008-01-30T22:31:00.000Z

V V C, Night & Day Manchester, 26/1/08.

Well first show of the year, had to wait awhile. The Creatures playing the N&D was going to be worth the wait though.

I was looking forward to this as I was off for the whole weekend, I'd booked into the Crown & Anchor and basically back into a familiar routine. Ate at my fave French restuarant, all was well with the world.

I got to the N&D about 8ish I think, only to see Jen stood outside having a quick ciggy. After a quick chat I went in and saw Sian and David at the bar. Sian said she was feeling a bit nervous playing the N&D because of all the bands she has seen there over the years.

Sian also told me they were going to play two new songs which may or may not work but they'll see. They kindly got me a complimentary beer too.

There were only two bands playing, a six piece rockabilly band who were on first and VVC, headlining the Night & Day for the first time. I forget the name of the first band but they weren't my cup ot tea really but I can't say they were rubbish. Their gimmick was an idiot onstage with them who just acted daft and pulled stupid faces with the odd scream into the mike.

When VVC came on they opened with one of their new songs which was an instrumental called Ricochet. They rattled through some great versions of Ghosts, Granny and Wilderness with Sian loosing her glasses as per usual. Then the second new song which they haven't titled yet. Jen of course got up onto the boxes at the front during FF which sounded great as always.

After David gave me his setlist complete with illustrations. After helping clear some of their gear away to the "band area" downstairs we had a beer in the downstairs room which was surprisingly sparse considering all the top bands that play there. Somehow I couldn't see Elanor Freiberger hanging around down there for long, or Beth for that matter. An interesting place though.

I headed of not long after midnight after saying my goodbye's and thanks for another enjoyable evening.

A shot of the N&D piano I often refer too!!

I had a dream.

2008-01-12T18:32:00.000Z

A while back I had a dream which was sort of a band put together of my favorite artists. More of a Kristin and Louise Mason play with S-K really.

To expand on that I thought that this would be my dream band. Ok you can have Hendrix playing with Jaco Pastorius and Bonham etc etc, but I'd prefer to see this band on stage :-

Kristin Hersh - Electric and acoustic guitar/vocals.

Corin Tucker - Guitar/vocals

Louise Mason - Bass/backing vocals.

Laura Wills - Keyboards/vocals.

Janet Weiss - Drums.

Of course waiting in the wings as stand-ins would be
Laura Mary Carter (BRS) - Guitar/vocals
Ellie Erickson (EE) - Bass
Emma Damon (TVEGC) - Drums/vocals

Happy New 2008.

2008-01-01T20:49:00.000Z

That's enough looking back, time to look forward to 08.

I ended up doing 53 gigs last year, I don't think I'll do as many this year but we'll see what turns up. I haven't got anything 'til I go and see VVC the last week of Jan. I then have 2 booked for the first week in Feb, Laura Veirs playing solo acoustic in Manchester and Enon/Ill Ease in Leeds. There is Kristin's Paradoxical undressing the back end of March too, is that a gig though?

I bought my usual shed load of stuff last year. I can't immediately think of any albums I'm looking forward to. There are probably loads but they escape me at the moment. Ah! Foals album is one and Kristin should get a 50ft Wave EP out sometime and BRS, damn of course.

That's it for now I think I'll start looking for some shows for Jan.

Happy New Year.

Gigs of the year.

2007-12-28T23:16:00.000Z

On to my favorite shows for the year

Thing is here it's not always about the actual performance of the band/artiste but everything that surrounds it.

So my top 10 gigs of 2007.
There is no real order here really just my more memorable shows.

1. Kristin Hersh - Sheffield, Leadmill, 9th March.

This was the first of three in a row seeing K. I think I enjoyed this one more because of the anticipation and excitement of the full trip. That said all three shows I really enjoyed.
http://slightmalecoyote.blogspot.com/2007/03/kristins-march-tour.html

2. Sky Larkin/YSPWSD/Los Campesinos - Night & Day, Manchester, 13th Oct.

This comes second because of three really enjoyable bands and a good night all round.
http://slightmalecoyote.blogspot.com/2007/10/los-campesinos-yspwsd-sky-larkin.html

3. The Victorian English /Vile Vile Creatures - Sheffield, Corporation, 13th Sept.

When the Creatures told me they were playing a show with TVEGC it was always going to be a good night. My two fave live bands, who cares that I had to travel to Sheffield for it. Part the fun really.
http://slightmalecoyote.blogspot.com/2007/09/victorian-english-gentlemans-club-vile.html

4. Electrelane - Manchester Academy 3, 28th Nov.

A band I'd been waiting to see all year more or less. They didn't disappoint either. With this being their 3rd to last ever gig they just went for it. Met a lot of familiar faces here too.http://slightmalecoyote.blogspot.com/2007/12/electrelane.html

5. Silversun Pickups - Night & Day, Manchester, 31st May.

I saw SSPU twice this year but the first time I saw them they were still relatively unknown. It was evident that night they would soon be playing bigger venues and they would even translate into a good festival/stadium band.

http://slightmalecoyote.blogspot.com/2007/06/silversun-pickups.html

6. Laura Veirs - Manchester Academy, 5th April.

This was the first time I'd seen Laura with her full band. Again everything that surrounded this gig was good and Laura herself, sweet & kooky.http://slightmalecoyote.blogspot.com/2007/04/sweet-kooky-laura.html

7. Pony Up - Night & Day, Manchester, 3rd Nov.

Again another band I was looking forward to seeing as I'd been loving their album for a while. Not disappointed either such a together band. An absolutely lovely bunch of girls too. And yeah I fell under the spell of the lovely Laura Wills.

http://slightmalecoyote.blogspot.com/2007/11/pony-up.html

8. The Victorian English/Sons & Daughters - Academy, Liverpool, 17th Nov.

This was the first of the TVEGC/S&D gigs, the other being a week later in Manchester. I'm going with the Liverpool one. In truth there is not much to choose between them. I think because TVEGC were just slightly on better form this night.
http://slightmalecoyote.blogspot.com/2007/11/victorian-english-gentlemans-club-sons.html

9. Blood Red Shoes - Liverpool, Barfly, 7th Oct.

The second time I'd seen BRS this year. It was evident their live reputation was growing. Believe me they are good. Having seen them several times now it was here that they first started to show a confidence in their own ability. Keep an eye out for these.
http://slightmalecoyote.blogspot.com/2007/10/blood-red-shoes.html

10. The Decemberists - Manchester Academy, 5th Feb.

Made a late decision to go to this, thank goodness. I'd always heard they were a good live band
and fair enough they did not disappoint.
http://slightmalecoyote.blogspot.com/2007/02/decemberists.html

So there we have it, I thought I'd done 52 this year but on a recount it turns out to be 53! The year has been dominated by 10 VVC shows, 5 TVEGC , Kristin 3. Others like You Say Party, BRS, Thea Gilmore, Land of Talk and Silversun Pickups all twice.

In all a good year, so many good shows and I've met some fine people along the way.

Here's looking forward to some good gigs next year.

My favorite albums of 2007

2007-12-28T02:06:00.000Z

I've found it difficult this year to narrow down my fave's. I keep changing my mind basically so this is the one that's going to print (again) so to speak. My top 3/4 have not changed (I don't think!)

1. FIERY FURNACES - WIDOW CITY.
This wins the day because of it’s eccentricity. It’s a weird collection of songs of varying length. Every time you listen you pick up a different line or little lick. It’s quite a long album 16 songs but it’s the sign of a good record that they seem to fly by when you listen. A great collection of weird and wonderful tunes. Love the way Eleanor delivers her vocal too. Being so wonderfully eccentric I love it.

2. JETS OVERHEAD - BRIDGES
A close one, just pipped by FF at the final hurdle. Another long album, 15 songs and the fact is there’s not a duff one in there. Think somewhere between Arcade Fire and Midlake. A Canadian 5 piece who build their songs drop them down to build again. Classic rock format but it works because the songs are so strong. Excellent record.

3. LAND OF TALK - APPLAUSE CHEER BOO HISS.
With Jets my discovery of the year. Another Canadian band led by Lizzie Powell. What I love here is the slight grungy guitar sound Lizzie uses. It’s a seven song mini album but strong enough to be this high up the list. I saw them live twice and was really impressed with their musicianship. Again not a bad song on here.

4. THE PONYS - TURN THE LIGHTS OUT.
Again another album that has done well to stick around since the first quarter (Jets/ LOT) of the year. A fuzzy shoegaze (never liked that term) sound. I like the bass in here it really bolsters some of the tracks, live too Mel was super to watch playing bass. A good consistent record.

5. RADIOHEAD - IN RAINBOWS.
Forget all the hype and the focus on the “pay what you want” for this album. In the cold light of day when the dust has settled, it’s a great record. They have gone back to a concentration on song quality here. A direction they started on “Hail” in my opinion. This is just one of the best bands in the world delivering the goods in their own style and making everyone else start to play catch up.

6. MARNIE STERN - IN ADVANCE OF A BROKEN ARM.
One of the more interesting and original albums of the year. Marnie is a guitar virtuoso specialising in “shredding”. She takes a nod from Deerhoof as a lot of her tunes are off kilter and have strange arrangements. The off rhythms are certainly a nod to the "hoof". Amazing guitar patterns and a squeaky vocal. Still pickling my brain now.

7. ELECTRELANE - NO SHOUTS NO CALLS.
I’ve always been a bit not sure about E, but this album changed that. I can’t say why it just seems to feel more complete and together. Recorded in Berlin and has that essence of famous albums recorded in that great city. It ebbs, flows, rocks and chills. It’s their last too as they’ve just announced indef……. hiat.. Can’t say it, horrible expression. Sad.

8. KRISTIN HERSH - LEARN TO SING LIKE A STAR.

First major album of the year and of course was always going to make my list. I’m trying to be subjective here. Any album by K is an event to me as a hardcore fan. LTSLAS is an album that K made with a collection of friends and comes across as though there is an enjoyment in it’s sound. Of course songs are not always “happy go lucky” but her usual sub humour is very evident here. "The parrot looking up at me was so goddamn Disney” what a line.

9. SPOON - GA GA GA GA GA.
Spoon never let you down, such a consistent band. They don’t disappoint here again a good collection of tunes in their own very individual style. Key and bass led generally with an emphasis on melody and Britt Daniel’s distinctive vocal. They just don’t make bad records.

10. LOVE OF DIAGRAMS - MOSAIC.

Another band on Matador (Pony’s). Checked them and thought they sounded good. An Aussie band who play fuzzy guitar and strong bass lines. Like the vocal too, some of the tunes go a bit shoegazey but work in the context of the album. Antonia’s vocal is set down in the mix a bit but is powerful and pitched correctly.

11. THE HEDRONS - ONE MORE WON'T KILL US.
Just a basic four piece from Glasgow but again a solid no nonsense collection of songs. I love Tipi’s voice she has one of those rock vocals that borders on the fine tune/husky. A fine rhythm section too. In fairness the record has done well to stick up here almost all year. That means it’s good.

12, YOU SAY PARTY! WE SAY DIE! - LOOSE ALL TIME. Again another band that never let you down. One of my fave live bands, who do translate better live. Good album though.

13. VILE VILE CREATURES - WILDERNESS EP.

Firstly this is not here because they are friends and lovely people. It is here on merit as a fine record. Only a four song EP but good enough for the placing. The best bassline of the year on FF though courtesy of Sian and David’s drum fills on this are so good. Jens vocal through a megaphone adds to the record.

14. REVEREND AND THE MAKERS - STATE OF THINGS.
Social comment, great beats, at times funny. “What of woman who stands by her fella despite the bruises brought on by the Stella”. Alex Turners best mate delivers a great collection of tunes. I saw their set at Reading on TV and a super bunch of musicians too, such a tight band.

15. STUFFY/THE FUSES - ANGELS ARE ACE.
Came across these on a radio session and liked what I heard. Checked ‘em out, bought the album. Interesting band led by “Stuffy” the drummer who sets up at the front of the band and the rest play behind him. If you listen to the drumming here it is very good indeed.

16. LAURA VEIRS - SALTBREAKERS.
Laura had a hard act to follow in “Meteors” but in fairness has done a good job. Not as immediate as said previous but some great tunes here. Typical Laura really and Tucker Martine’s production is as super on the rhythm section as always. Great live, I cried!

17. THE SHINS - WINCING THE NIGHT AWAY.
Sub Pop, Portland, what do you expect? James Mercer has come up with so many fine melodies here. This is Shins best album to date and will put them to a bigger audience. A fine collection of songs some very wistful some that bounce with sing along value. Some of the best pop melodies of the year.

18. ENON - GRASS GEYSERS .... CARBON CLOUDS.
A late discovery, forget how I found them I think it may have been on a NY music site extolling their virtues. Needless to say I imported the album and loved it. A fairly standard rock band with hints of Deerhoof I think. I like the Toko’s vocal, actually the Deehoof ref is about right - nuff said.

19. PJ HARVEY - WHITE CHALK.

Brave move by Polly this. She's abandoned her guitar for a piano and uses a very sparse sound here. This may alienate many fans. I took me a while to grip it. At the end of the day her songs and the vocal delivery are just super. Fact is in 6 months time this may well have been no 5.

20. PRINZHORN DANCE SCHOOL - PRINZEHORN DANCE SCHOOL.
Just had to include this one of the years strange discoveries. The jury is still out on them in the music press. Some love them others dismiss. A minimalist approach of just drum and vocal on most songs make it such an interesting piece. I love it though.

So there we go final draft, honest!

A mention here to two other albums which would have made top 10 poss top 5.

Pony Up - Make love to the judges with you're eyes.

Wet Confetti - Laughing Gasping.

Fact is these were both released last year, therefore not eligible for this list.

Now for the best shows of the year.

Emily Breeze/Sad Sheilds/Vile Vile Creatures

2007-12-22T06:56:00.001Z

Christmas Bloodbath, Castle Hotel, Manchester, 15/12/07.

This was my last show of the year and fitting it would feature VVC. This was going to be the 10th time seeing them too. As with a lot of things this year there was a twist in the tail. They (VVC) had invited a girl called Emily Breeze to come and play with them in Manchester. As it happens earlier this year I'd come across Miss Breeze on myspace and ordered her EP of her. It took an absolute age to arrive and after several mails and excuses. I got to the point where I just wrote of the fiver. I then noticed that VVC were playing with EB in Leicester I think it was so I mailed her again saying she could give the cd to them. I got a positive response this time and the cd turned up a week later.

So I was looking forward to meeting Miss B.

I got to the Castle, which is nothing more than a scuzzy pub really, at about 8:15. Jen was stood at the bar as I walked in we said our Hi's. I bought a drink and went through into the back room where the show was. As usual I knew a lot of the faces there. Then Jen walks in with Emily, and straight away introduces me to her. "Ah! I know you from the inside of my computer don't I?" she says. "Yes you do" I replied. I liked her immediately, brassy, very red lipstick and lots of hair. Very sweet underneath the visual persona though.
VVC stepped up to play first. Jen announced they'd be playing an Xmas cover to finish but would keep people guessing as to which song it would be. Interestingly here they played an upside down set ie: they opened with FF.

This was strange as Jen wasn't as pumped up as normal for FF and some bizarre dance moves ensued. Sian's baseline was as good as ever though, despite losing her glasses every other 2 minutes.

Being an upside down set meant finishing on Wilderness which Jen expelled her normal FF energy into. Then the Xmas song, hmm, we'll pass but it was a Chris De Burgh cover. In fairness it was a fun thing to do.

Next up were a band from the south called Sad Shields. I hadn't heard of these but was told by Jen I'd like them. A three piece, drums, guitar and keys. They play an upbeat pop/punk style some melodic some more screemy.

Jen was right though I did like them. Vicky was a good solid drummer and Aaron took lead on the first few songs with some good shouty lyrics and punchy guitar. The later songs seemed to be led by Laura who took lead vocal and came out onto the floor on some tunes. Yep I like these so I bought their EP off them after.

Emily Breeze then stepped up. It was a strange feeling here and I talked to David about this later that as soon as she picked up her guitar you just knew she was a talented musician. If the truth be known I was a little disappointed with her cd but live, which was mostly new material she was just superb.

As I said as soon as she picked up her guitar she came alive even more. She played a blistering set of sort of rockabilly/punk material. With mad hair and lipstick that got smeared over her face the more she yelled into her mike made it even more rock'n'roll.

A mention here to her band Dan on drums was very solid but the bass player John was a true rock'n'roll animal. He spent most of the set bent over his bass thundering out some fine lines. Yep these were three good quality musicians. Talking to Jen and David later they were really pleased EB came up from Bristol just to play with them.

After the show we moved through into the main bar and it was decided to move on to the Retro bar to carry on and well, party the night away so to speak. So the three bands and an entourage of myself and other friends of VVC made our way down to the Retro. It was a busy, loud night. There was a lot going on I spent a while talking to Laura, Aaron and Vicky from Sad Shields. We spent a while discussing our fave S-K albums when they noticed I was wearing an S-K badge.

In all an interesting drink laden night. EB and her crew were just great fun and went for it good style. I eventually got back to the Crown & Anchor at 4am.

So there we go the last show of the year and no 52 as it happens, that wasn't planned it just happened. A good night to finish on too. Thanks to Jen, Sian and David for their hospitality.

Fight Like Apes/Untitled Musical Project

2007-12-14T20:50:00.001Z

Korova, Liverpool, 11/12/07.

This turned out to be one of the most bizarre but interesting evenings of the year. Got up to Liverpool handy and checked with the venue time of doors. Korova normally runs late anyway so a 9pm start gave me plenty of time to eat. I was also wondering how well this would be attended as Liverpool FC were playing an important European match this night.

I got back there at about 9:15 and went in, hmm! I was the only one there apart from band members and small entourage. Then another lad walks in and would you believe I knew him. I see him at a lot of shows and we always say hi to each other but I've never actually had a proper conversation with him.After a while it was obvious we were the only people going to turn up here apart from some friends of the bands themselves. One of the guys from Untitled Musical Project came out onto the floor and handed Chris and myself a beer and said "you may as well join us". It was literally a case of the 15 people in the room saying lets make the best of this and party it. Fight Like Apes came on first. A four piece (recommended by Julia) from Dublin at first I thought they were going to a bit "Los Campesinosish" but they soon got into a stride. Difficult to categorise really though. I really enjoyed them, MayKay at times came out onto the main floor, literally. In fairness to them they put on a good set of catchy electronica rock in front of a non audience.

Next up were Untitled Musical Project (UMP) I've seen these before supporting TVEGC at this venue as it happens. I found them a little too screemy last time but I took to them here.

Maybe it was the situation and a lot of banter between songs. Their vocal is a little too screemy for me generally but they were good fun and made the best of the situation.

After the show I bought the FLA EP of MayKay.
It was then that Kieran from UMP announced that it was his birthday. So up to the bar for everybody it was. We ended up having a really good night. I got talking to a guy who's name I forget now who was from a band called the Vagabonds. He said he has been recording the Victorian English recently so we had a good chat about them.
This was a strange but enjoyable evening.

Paradoxical Undressing

2007-12-13T22:25:00.000Z

I'm really looking forward to this:-

http://training-22.sbc.signoff.info/music/productions/paradoxical-undressing-by-kris-19190

I'm not sure if the musical accompaniment is by K herself or takes the form of a backing track. Either way it should be an interesting show. I booked my ticket the other day. I'm two rows back (it's all seated) Janet to Carrie's side. I've booked a hotel but I'm wondering now whether to keep an eye out for any other shows in London the same week and maybe make it a trip for a few days. It's not 'till the end of March so I have a fair time to contemplate this one.

Foals (and the nightmare day from hell)

2007-12-08T22:27:00.000Z

Wrexham, Central Station, 3/12/07.

Ok it may not have been a total nightmare day from hell, but it wasn't a good one. With the gig being in Wrexham I was going to crash at my sisters house and make my way back to work from there the following morning. This being the case I had to take a change of clothes etc to work with me.

Apart from leaving home without my umbrella and bus pass I also left my bag with all my change of clothes in it at a bus stop. I had to take a half day off work to go back home to get everything together again. Pissed off too that I'd lost my fave shirt and it had an S-K badge on it.
Anyway got up to Wrexham after two soakings in the rain. I got something to eat then went to Ruth & Pete's to drop my stuff and "check in" so to speak. Pete said he would give me a lift back to town. When I got out the car and went to check the time on my phone, no bloody phone, I've lost my mobile now. The only place it can be would be in the car, I'd have to check later.

Got to central station about 7:45 and they opened up at 8. I bought a drink and went down to the front, Corin's side. For this show they'd erected a metal barrier, great, my favorite.

First band on were Cage the Elephant an American band who played a sort of southern style punky blues, if that makes any sense.

Foals eventually came on. I'd seen these earlier in the year supporting The Noisettes. I thought they were pretty good so thought I'd keep an eye on them. The crowd here was really packed and I was crushed up against the barrier. They were super again, with the two guitarists set up to play at each other. This was a very lively show though every 5 mins a crowd surfer would land on my head. I didn't realize their profile would have increased so much in 6 months.

It has to said for the first time in my life I quit the front row with 2 songs to go. I found it was just too lively and I wasn't in the mood somehow after a shity day.

Electrelane

2007-12-05T20:42:00.000Z

Academy 3, Manchester, 28/11/07.

This was a show I had been looking forward to for ages. I took a half day off work to get to Manchester in plenty of time to sort myself out etc.

Got to the Academy in good time as I had a venue pickup ticket. They opened doors a little late, nearer to 8 that 7:30 but picked up my ticket ok and shot upstairs to Academy 3. I got in handy and decided to go Carries side in front of where Mia would be.

As they opened late it wasn't long before Lonelady started setting up and ready to play. I then got a tap on my shoulder it was David the guy I met at the Sound Movement/Asobi Seksu gig in Liverpool last month. He was the guy who thought I was attached to the band or at least in the industry as I seemed to know everybody. We had a good chat and caught up on other shows we'd been too.

Lonelady played a good but fairly short 6 song set. She had her drummer and keyboardist with her so she had her full sound. As Julie (Lonelady) was clearing the stage she spotted me waved and said hi. David looked at me I just shrugged my shoulders and said "I know her".

Wasn't long before Electrelane set up, well their roadies did it for them.

They opened with "Bells" of Axes and immediately settled into a groove. The first song of the new album was "After the call". Verity played most songs from her keys but occasionally played out front with guitar.

I was stood right in front of Mia and she seemed to play most of the set head down with her fringe covering her face. Ros played most of the set with big smile on her face. You certainly got the impression they were enjoying themselves. This of course fed into the audience.

This made for a great atmosphere in the crowd and you could feel everyone was enjoying themselves.

A highlight for me was "Between the wolf" which they just rocked out too. There were several cries from the crowd of "don't break up" jeez flashback!!
They wilfully smiled and said very little.

They came out after the main set and played a storming encore of which I forget the tracks now but it was a super show. A band on top of their game and a responsive audience made for a very good evening. As they finished the main set I grabbed Mia's set list as it was literally two feet in front of me.

I also spotted and said hi to a girl I know who's a friend of V V C. I can't remember her name but we know each other by sight.
At present I'm putting together my fave albums and shows of the year. This is a gig that will feature in my top 10.
Thank you and goodbye Electrelane.

Somethings in life......... (no 2)

2007-12-01T00:26:00.000Z

Are beautiful.

This is a children's book written and illustrated by Kristin Hersh. I ordered it from K's Throwing Music site.

It is a lovely little item, beautifully made and presented. Its colors are vibrant and contrast well on each page.

I have no 6/50 personally signed by Kristin with a Toby Snax logo too, cute eh!